Saints sign RB Evan Hull to 53-man roster, release K Blake Grupe

The Saints confirmed the signing of kicker Cade York to the practice squad on Tuesday afternoon and they announced a number of other transactions as well. Running back Evan Hull has been signed to the active roster from the practice squad. Hull joined the Saints in Week 10 and has not appeared in any games with the team. Hull spent the preseason with the Steelers and he has made two regular season appearances with the Colts. Kicker Blake Grupe was released to open up the spot for Hull. Grupe missed two field goals in last Sunday’s loss to the Falcons, which contributed to the decision to go with York. The Saints also activated tackle Barry Wesley from injured reserve. He went on the list before the start of the regular season. In addition to adding York, the Saints also signed wide receiver Samori Toure and running back Ian Wheeler to the practice squad. Wide receiver Jha’Quan Jackson and linebacker Eku Leota were released from that roster.
https://www.nbcsports.com/nfl/profootballtalk/rumor-mill/news/saints-sign-rb-evan-hull-to-53-man-roster-release-k-blake-grupe

How to get Ghost Flowers in Ghost of Yotei

To get Ghost Flowers, you will need to be playing in New Game Plus, which means you will have to have finished the main story at least once. Once that is done, you will be able to start an NG+ run from the main menu. NG+ mode is pretty traditional in that you will keep your equipment and unlocks, but you will also get access to NG+ exclusive features, such as a new vendor who takes Ghost Flowers as currency. You can find the Merchant just to the northwest of your home in the Yotei Grasslands. To get Ghost Flowers, you will need to complete main quests and side quests in the story, so get stuck into the exciting narrative of Ghost of Yotei. Doing bounties for Kojiro the Bounty Broker will also earn you Ghost Flowers, as will unlocking Altars of Reflection. You will get some for each Altar you unlock, so don’t forget to visit them all again on your new run. The vendor, Masujio the Melodious, will sell charms that can also grant these flowers. They will usually come with some sort of curse as a tradeoff, such as an increase in Stamina costs, and result in a chance to get flowers from killing enemies. These are the Charm of Curse Spirit, Charm of Misfortune, and Charm of Frailty. They essentially allow you to trade less value drops in NG+ for the chance to get Ghost Flowers.
https://www.shacknews.com/article/146963/how-to-get-ghost-flowers-ghost-of-yotei

Media Terrified Trump Will Bring Back “Male-Driven Movies With Tough, Traditional, Courageous, Confident Heroes”.

Media Terrified Trump Will Bring Back “Male-Driven Movies With Tough, Traditional, Courageous, Confident Heroes”. Front Page Magazine ^ | November 25, 2025 | Daniel Greenfield Posted on by E. Pluribus Unum Who wants to see that? Oh no, perish the thought. We can’t possibly lose our current action movie landscape in which painfully diverse casts including 5’2 girl bosses defeat entire armies using the power of special effects while delivering quips originating from a now MeToo’d writer who wrote them for a teenage girl show before infecting Marvel with his brand of dialogue. They’re so popular that movie theaters are standing empty. So you can see why Semafor’s story about Trump impacting the culture is set to strike terror into the hearts of wokes everywhere. But now Larry Ellison, one of Trump’s most prominent financial supporters, owns a second-tier studio, Paramount, and is on the cusp of taking control of the great Warner legacy, with the giant library and sprawling production that come with it. The film producer Dallas Sonnier predicts “a wave of classically male-driven movies with mentally tough, traditional, courageous, confident heroes. Maybe even a tad cocky, but dedicated to honor and duty. Plus, of course, a few explosions, gun battles, helicopters, fistfights, and car chases!” Classically male-driven movies with mentally tough, traditional, courageous, confident heroes. Who wants to see that? In the real world though, it takes a lot to turn a culture around, and Hollywood has been overrun with people pushing wokeness as second nature. That’s not just going to away no matter who owns a studio because personnel is policy. And even if Ellison controls both Paramount and Warners (there’s still a big ‘If’ there), those are grand classical names with some compelling IP, but they have a fraction of the money to throw at productions that Netflix and Amazon do. And Netflix and Amazon want wokeness. That means the old studios will deliver it if they want that.(Excerpt) Read more at frontpagemag. com . TOPICS: Culture/Society KEYWORDS: 1 posted on by E. Pluribus Unum To: E. Pluribus Unum Babylon bee?. nope!. 2 posted on by Red Badger (Homeless veterans camp in the streets while illegals are put up in 5 Star hotels.) To: E. Pluribus Unum AI will be required to create the male leads. Hollywood has no one capable of filling the role. 3 posted on by ClearCase_guy (Democrats seek power through cheating and assassination. They are sociopaths. They just want power.) To: E. Pluribus Unum it is coming, if for no other reason than those movies make money 4 posted on by wafflehouse (“there was a third possibility that we hadn’t even counted upon” -Alice’s Restaurant Massacree) Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by.
https://freerepublic.com/focus/f-news/4354559/posts

New record label boasts young (and female) singers of cantorial music

Khazonim, or cantors, like Yossele Rosenblatt and Gershon Sirota once household names that commanded massive respect and even bigger paychecks have lost their luster since their heyday in the “Golden Age” of the early 20th century. To the dismay of fans of khazones the unique blend of traditional prayer and classical opera that once dominated the Ashkenazi synagogue and stage few people today have the specialized cultural knowledge required in passing the musical tradition down from teacher to student. Another traditional Jewish musical genre once found itself in a similar situation: klezmer music. Then, in the 1970s, the Balkan Arts Center of New York City, which later became the Center for Traditional Music and Dance, became the focal point for a remarkable klezmer revival. They recorded legends like Dave Tarras who taught new generations of musicians, and became a supportive ecosystem for a genre that had been nearly discarded. Following this example, Jeremiah Lockwood and Judith Berkson, founders of the new Brooklyn-based record label Khazones Underground, are using a combination of recordings, concerts and community organizing to achieve a revival for this genre as well. They are well-qualified for this massive undertaking: Lockwood is the grandson of khazn Jacob Konigsberg, and a scholar. He is also the long-time frontman of the khazones-infused-rock group The Sway Machinery. Berkson is a cantor, composer and teacher. Aside from a symposium and concert at the upcoming Yiddish New York festival, they have been teaching and writing about khazones, cultivating a new generation of dedicated performers from diverse backgrounds. As part of their efforts, Lockwood and Berkson are officially releasing three albums on Dec. 1 that includes a reissue of an album of contemporary Hasidic cantors; an album from The Sway Machinery which uses surreptitiously-taken “bootleg” recordings of Golden Age cantors as jumping-off points, and perhaps most excitingly an album of all-female cantors, or khazntes. The album, The Return of the Immortal Khazntes featuring Judith Berkson, Riki Rose, Rachel Weston and Shahanna McKinney-Baldon, draws on the history of female cantors who used to perform on the theater stage. Berkson noted in an interview that what made this album special was that their inspiration is the sound of the old khazntes. “A lot of women cantors now are trained to sing quite high, in a soprano range,” Berkson said. But these four khazntes sang in a wider range, including alto, imitating the often baritone ranges of their male counterparts. Berkson opens the album with “V’hu Yashmiyeynu,” accompanied by San Francisco’s renowned Kronos Quartet. The piece, originally performed by the cantor and Yiddish actor Moishe Oysher, is, as Lockwood describes it, “an amazing kind of knock-’em where it hurts, showstopper piece.” Riki Rose, originally from the Satmar Hasidic community, expressed a similar kind of revelatory feeling. Even though she didn’t hear women singing this kind of music earlier in her life, it seemed very natural to her to sing in a lower register. The other two featured cantors have equally interesting backgrounds: McKinney-Baldon is researching Madame Goldie Steiner, the only known African American woman performer of khazones in the Golden Age; and Weston is a British cantor trained extensively in Yiddish music. The album, The Dream Past, is, on the face of it, aggressively different from “The Return.” Lockwood, reviving The Sway Machinery, which once toured the world inserting khazones themes under the guitar and drums, is now more revealing about the Jewish background of its pieces. Each song begins with an introduction from a “bootleg” recording of live prayer as a jumping-off point. Golden Ages: Brooklyn Chassidic Cantorial Revival Today is a reissue from 2022, but it’s every bit as notable for bringing in modern Hasidic cantors. Interestingly, even the deeply traditional Hasidic community had abandoned khazones, leaving the few remaining Hasidic fans of the genre feeling marginalized by their own community. Singer Yanky Lemmer, whom Lockwood met while observing Brooklyn’s Hasidic khazones singing circles, will be part of the performance at Yiddish New York a truly remarkable occurrence due to the well-known chasm between the Hasidic and Yiddishist worlds.
https://forward.com/yiddish-world/786049/record-label-album-young-female-singers-cantorial-music-yossele-rosenblatt/

Elphaba’s ‘Wicked: For Good’ sex cardigan is driving people insane

The sweater that changed Oz, for good. The internet is going wild over Elphaba’s (Cynthia Erivo) “sex cardigan” that she wears during an intimate scene with Fiyero (Jonathan Bailey) in “Wicked: For Good.” After fleeing Emerald City with Fiyero on the day of his wedding to Glinda (Ariana Grande), Elphaba takes him to her secret tree house, where they share their true feelings to each other in a duet to “As Long as You’re Mine.” Elphaba, smitten for Fiyero, takes off her usual black attire and slips into sexy black lingerie before she puts on an enormous gray knit cardigan. The fashion piece has gone viral on the internet, with fans sharing their epic reactions to Elphaba’s unexpected outfit choice. Sharing a photo of the sweater on Anne Hathaway’s character in “The Devil Wears Prada,” one fan wrote, “are you wearing the-,’” adding, “Elphaba’s sex cardigan? Yes, I am.” “Y’all are laughing at Elphaba’s ‘sex cardigan’ as if Anthropologie isn’t currently planning to sell that thing for $140 and people will buy it. #WickedForGood,” another fan said on X. Someone else tweeted, “Elphaba was taking no chances when Fiyero got in that treehouse. Broke out the good lingerie and her sex cardigan.” “Those who are hating on elphaba’s cardigan just don’t know the powers a truly comfy cardigan can hold over a girl,” a different “Wicked” fan wrote. “Coming out as someone who likes the elphaba sex sweater,” another twitter user confessed. Erivo herself reacted to the fandom’s infatuation with the sexy sweater in a recent interview with Bustle. “I am plugged in a little bit. I love that everyone is so invested in the little details,” said Erivo, 38. “Especially if they’re invested in the outfit, I’m happy, because that was one of those things that I wanted for her. I was like, if she’s in her home where she lives, why would she still be in her war outfit? Why wouldn’t she be in something comfortable, the thing that makes her the most vulnerable?” “I wanted a moment of real softness for her,” the Oscar nominee continued, “so it was something that I had talked to [costume designer] Paul [Tazewell] about, to find something that made her really womanly, like that she was there in her space as comfortable as could be. So I’m glad people are clocking all those little details.” While Elphaba’s cardigan turned up the heat in the “As Long as You’re Mine” scene, director Jon M. Chu revealed he actually made the moment less horny. “I just felt like, ‘Is this movie the type of movie where you just sit and stare at each other and sing?’ I was like, ‘There’s nothing happening,’” Chu, 46, told Entertainment Weekly. “And passion can only happen. They didn’t have time to. We need a scene where they go out on a date or something. How do they know each other?” The filmmaker also recognized that Erivo brought “dignity” to Elphaba in the steamy scene. “She’s like, ‘I would have a home, I would make it smell nice. I would put my hair up,’” he added. “She’s not just a caricature that we’re making fun of in learning the backstory. It’s not fan fiction; this is a real character to her.” “Wicked: For Good” is in theaters now.
https://nypost.com/2025/11/25/entertainment/elphabas-wicked-for-good-sex-cardigan-is-insane-reactions/

A French Rightist Is, for the First Time, Predicted To Win the Presidential Election in 2027

The authoritative French pollster, Ifop Group, just released shocking data about young French Muslims. It is part of a survey for Ecran de Veille, a magazine that specializes in strategic issues and geopolitics. While born in France and raised as equal citizens, young French Muslims are not joining the mainstream French culture, unlike most youths from other immigrant groups. Instead, they “re-Islamize.” They are turning toward a much more radical Islamic way of life than their own parents. Between 7 percent and 10 percent of the 68 million citizens or residents of France in 2025 are Muslim, against 1 percent in 1975. That’s a seven-fold to ten-fold increase. Fifty percent of the French Muslims are under 24, against 28. 7 percent of the French as a whole. This means that, no matter what, Islam is thus expected to carry weight in French society in the coming decades. Some 80 percent of the French Muslim youths describe themselves as religious, against a French global youth average of 48 percent. Muslims’ religious commitment is steadily increasing. Forty years ago, only 7 percent of the French Muslim youths under 24 were attending prayers at mosque. Today, 84 percent of the Muslim youths attend public prayers on a regular basis, against fewer than 3 percent of the non-Muslim youths as a whole, and 8 percent of the “affiliated” young Christians. Likewise, Ramadan fasting has grown to 83 percent from 51 percent among the young Muslims. In 2003, some 16 percent of French Muslim girls under 24 would don the veil or wear any kind of Islamic garb. That has risen to 45 percent today. Nearly 50 percent of the young Muslim men and nearly 60 percent of the young Muslim women frown upon shaking hands or kissing with the other gender, being medically attended by the other gender or engaging in mixed-gender sport activities. Most French Muslims used in the past to follow the moderate guidelines of the Maliki or Hanafi schools of religious jurisprudence regarding halal food. They partook of regular Christian or Jewish French food as long as pork and alcohol were avoided. Young Muslims today seem to be so influenced by more restrictive views as to insist on fully certified halal products and services. Some popular restaurants owned and managed by non-Muslims, like the Five Guys chain, serve certified halal meat only and have withdrawn wine or beer from their beverages list. The fundamentalist shift is apparent in the realm of theology, philosophy, and science. Whereas in 1998 some 41 percent of the young French Muslims used to support a “modernization” of Islam, only 21 percent express similar views today. Conversely, only 19 percent supported fundamentalism or “Islamism” in 1998, against 42 percent today. Asked a multiple choice question about the fundamentalist groups they support, 24 percent express today sympathy for the Muslim Brotherhood, 9 percent for Salafism, 8 percent for Wahhabism, 8 percent for Tabligh, 8 percent again for Tafkir and 3 percent for Jihadism. Many of these groups are illegal in many Muslim countries. In 1995, the primacy of Sharia over French law was rejected by 62 percent of all Muslims; today, by only 49 percent. Among the young, it is backed by 57 percent. The primacy of la loi is the main tenet of the quasi-constitutional law of 1905 separating Church and State in France. Although most young Muslims attend French secular schools, and large numbers of them go to college, 82 percent tend to discard the standard scientific views and hypotheses on the universe, the growth of life or evolution when it seems to contradict the Kuranic revelation. Youths from other religions tend to separate science and religious tradition. François Kraus, who managed the survey for Ifop, wonders whether this re-Islamization should not be primarily understood “as a way for Muslim youth to assert their identity and collective power” within French society. The fact is that this re-Islamization goes hand in hand with a kind of symbiosis with an ultra-left party, Jean-Luc Mélenchon’s La France Insoumise. In the 2022 presidential election, 69 percent of Muslims voted for Mr. Mélenchon, compared to 22 percent of the French population at large. In the 2024 European elections, 62 percent of Muslims voted for La France Insoumise, meaning France Unbowed. In the subsequent legislative elections, this party achieved its best results in constituencies with large Muslim populations. The identification works both ways. The more La France Insoumise strengthens its foothold among Muslims, the more it aligns itself with radical Islamism or, since October 7, 2023, with an equally radical anti-Israel stance. Many observers conclude that France is undergoing a process of ‘Lebanonization,’ which in turn could lead to a war that would be not merely civil but also ethnic and religious. Mr. Kraus notes that the rise of fundamentalist Islam is fostering, as a mirror effect, an incipient Christian revival, marked by the return of baptism a rite neglected for some 30 years as well as religious services, pilgrimages, and monasticism. Meanwhile, the National Rally continues to climb in the polls. For the first time, an Odoxa-Mascaret poll predicts victory for its leader Jordan Bardella in the 2027 presidential election, regardless of his main opponent.
https://www.nysun.com/article/a-french-rightist-is-for-the-first-time-predicted-to-win-the-presidential-election-in-2027

Celina Jaitly seeks Rs 10 lakhs monthly maintenance, and Rs 100 crores in damages; court to hear case on December 12

Actor Celina Jaitly’s legal team has confirmed that a domestic violence complaint has been filed against her husband Peter Haag, an Austrian national, before the Judicial Magistrate First Class in Andheri, Mumbai. The case was taken up on Tuesday for verification, following which the court issued a notice to Haag, returnable on December 12. Celina Jaitly seeks Rs 10 lakhs monthly maintenance, and Rs 100 crores in damages; court to hear case on December 12 Advocate Niharika Karanjawala, appearing for Jaitly, told ANI that the complaint details years of alleged abuse. “Yes, we filed a complaint under the Domestic Violence Act for cruelty and domestic violence, both physical and emotional, that has lasted for many years through Miss Jaitly’s marriage with Mr Peter Haag,” she said. Karanjawala added that the allegations include prolonged physical and emotional cruelty, manipulation, and coercion. Alongside the domestic violence case, separate civil proceedings are also underway in Mumbai regarding a property Jaitly owns. According to her counsel, the property’s gift deed was allegedly obtained by Haag “through coercion.” The petition seeks multiple forms of relief. “Our prayer is manifold with regards to compensation to be paid to Celina, alimony, as well as determinations with regards to her children,” Karanjawala stated. Jaitly’s primary concern, she noted, remains her three children, who are currently in Austria with Haag. As per the filing, Jaitly has requested a monthly maintenance of Rs 10 lakhs. The petition also seeks Rs 50 crores for loss of potential earnings. Karanjawala explained that this figure accounts for the period when Jaitly was allegedly compelled to stop working “at a very lucrative time in her career.” A separate sum of Rs 50 crores has been claimed for pain and suffering. The matter will now be heard on December 12, following the court’s issuance of notice to Haag. Also Read: Celina Jaitly shares emotional note after filing domestic violence case against husband Peter Haag: “Life stripped everything away” BOLLYWOOD NEWS LIVE UPDATES.
https://www.bollywoodhungama.com/news/bollywood/celina-jaitly-seeks-rs-10-lakhs-monthly-maintenance-rs-100-crores-damages-court-hear-case-december-12/

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