Category Archives: business

Juventus 0-0 Milan – Honours even in cagey affair in Turin as Pulisic misses penalty

**Juventus and Milan Share the Points After Goalless Draw at Allianz Stadium**

Juventus and Milan played out a tense 0-0 draw at the Allianz Stadium this evening, a match marked by a dramatic penalty miss from in-form Rossoneri forward Christian Pulisic.

The game started as a cagey affair, with neither side willing to take many risks early on. An early promising move saw Davide Bartesaghi make a strong run down the left flank, delivering a good ball into the box for Fofana, who unfortunately ballooned his shot over the bar.

Jonathan David continued his struggles in front of goal in the first of two communication mix-ups with Weston McKennie. David rose to meet a cross and headed the ball down to McKennie, who lacked the time to react effectively. The following ten minutes were slow and battle-heavy in midfield, but the play shifted out wide again, resulting in another cross for McKennie—who reacted too slowly and conceded a free-kick for a foul on Fofana.

**Both Sides Threaten Mainly From Wide Areas But Lack the Final Touch**

Both teams looked most dangerous down the flanks, exploiting the space behind the compact defenses. Milan’s first clear chance came just after the 20-minute mark when Christian Pulisic stole possession in midfield and made a surging run into Juventus’ penalty area before losing his footing.

A poor clearance from Juventus nearly gifted Fofana a golden opportunity, but the Old Lady’s defense quickly recovered to snuff out the danger. David and McKennie mixed up their communication once again soon after, squandering another promising moment.

Juventus continued to attack down wide areas, with McKennie getting on the end of a cross but sending the ball past everyone and out for a goal kick.

Shortly afterward, Manuel Locatelli played a superb pass through to Kalulu on the right wing, who neatly set up Jonathan David. However, the summer signing slipped as he prepared to shoot, and the chance went begging.

Milan had the final opportunity of the first half when Pavlovic made a surging run down the flank, delivering a great ball into the box. Santiago Gimenez rose to head but sent his effort wide from close range.

**Pulisic Misses Penalty; Milan Rue Missed Opportunity**

The second half began strongly for Juventus. After a short corner taken by Francisco Conceicao, the winger delivered a dangerous ball that flew past everyone to the back post, where Gatti volleyed a powerful shot. However, Mike Maignan produced a brilliant reflex save to deny the Juventus defender.

Milan finally had a golden chance to break the deadlock in the 52nd minute when Lloyd Kelly clumsily fouled Gimenez inside the box. Christian Pulisic stepped up to take the penalty but blasted the ball over the bar, handing Juventus a huge reprieve.

Following the missed spot-kick, Milan seized control of the game, pressing hard with Luka Modric orchestrating the play in midfield.

Juventus had some flashes of attacking moments after the hour mark. Portuguese forward Rafael Leao, who came on as a substitute, almost made an instant impact. Spotting Juventus goalkeeper Di Gregorio off his line, Leao attempted to lob from the halfway line. Although well struck and forcing the keeper to scramble, the shot narrowly cleared the crossbar.

**Substitutions Fail to Break Deadlock**

Both Massimiliano Allegri and Igor Tudor made tactical substitutions in an attempt to change the dynamic of the game. Tudor brought on high-profile players like Dusan Vlahovic and Emmanuel Openda, while Allegri introduced Leao, Christopher Nkunku, and Ruben Loftus-Cheek.

While the Juventus substitutes injected some much-needed energy, the decision came at the cost of taking off their two most dangerous players of the night — Kenan Yildiz and Francisco Conceicao.

In the closing stages, the match lost momentum. Tudor made a late change, swapping Daniele Rugani for Filip Kostic, but it proved too little, too late.

Milan dug in to secure a clean sheet and come away with a valuable point on the road. Leao had two late chances to snatch all three points for the Rossoneri but failed to make quality contact on both attempts.

Despite the missed penalty and the late opportunities, Milan will be left disappointed not to have won at the home ground of one of their fiercest rivals. Juventus, meanwhile, can be pleased to have held firm and taken a steady point after a hard-fought encounter.
https://football-italia.net/juventus-0-0-milan-honours-even-in-cagey/

Fears of £600bn stock market exodus to New York

A host of household names could quit the stock market in a £600 billion exodus from London, analysts have warned. AstraZeneca, Shell, BP, and Rio Tinto are among those seen to be “at risk” of moving their main listings to New York in what would be a devastating blow to the City.

Analysis by broker AJ Bell identified ten London-listed firms that do so much business in the US, or have so many shareholders there, that they may be tempted to make the switch. The combined value of these firms—which also include Compass, Experian, Bunzl, Smith & Nephew, Rentokil, and Fresnillo—is £620 billion.

“An onslaught of UK-listed companies upping sticks for the US would be terrible for the reputation of the London market,” said Dan Coatsworth at AJ Bell.

Miners Glencore and Anglo American, worth a combined £73 billion, have ruled out moving to New York. However, it is feared that an exodus by other top firms could see them change their minds.

Some companies have already made the switch, including CRH, Flutter, Indivior, and Ferguson, while Ashtead and Wise are in the process of moving their listings.

Coatsworth added that there is a list of UK firms that could “make a good argument for switching their main stock listing to the US.” He explained, “The more companies that move, the more the topic will be discussed in the boardroom by other companies that have a US presence.”

The latest bout of anxiety about an exodus comes after AstraZeneca last week announced plans for a full listing in New York alongside London, sparking fears it could lead to a permanent move.
https://www.thisismoney.co.uk/money/markets/article-15164387/Fears-600bn-stock-market-exodus-New-York.html?ns_mchannel=rss&ns_campaign=1490&ito=1490

PBA ushers in 50th season with legends in attendance

MANILA, Philippines – Ramon Fernandez, Atoy Co, and Vergel Meneses were among the former basketball personalities who graced the opening of the PBA’s 50th anniversary season on Sunday.

The Philippine Basketball Association (PBA) reported that about 40 to 50 ex-players, coaches, and officials attended the eventful day. The celebrations began with the prestigious Leo Awards at Novotel Manila, followed by the opening ceremonies.

https://sports.inquirer.net/643111/pba-ushers-in-50th-season-with-legends-in-attendance

Arunachal Pradesh’s first commercial coal mine starts operations tomorrow

**Arunachal Pradesh’s First Commercial Coal Mine to Begin Operations Tomorrow**

*By Dwaipayan Roy | October 5, 2025, 6:41 PM*

Arunachal Pradesh is set to enter the coal mining industry with the inauguration of its first commercial coal mine at the Namchik-Namphuk coal block in Changlang district tomorrow. The ceremony will be led by Union Coal Minister G Kishan Reddy, who will perform the Bhoomi Poojan and officially hand over the mining lease.

As part of the event, Minister Reddy will also flag off machinery for Coal Projects Private Limited (CPPL), the company that will commence operations at the site. In a move towards environmental sustainability, he will plant 100 trees to support a green initiative.

### The Journey of Namchik-Namphuk Coal Block

The Namchik-Namphuk coal block holds significant reserves estimated at 1.5 crore tons. Originally allocated in 2003, the project faced numerous delays and operational hurdles over the years. However, in 2022, the coal block was revived through a transparent auction process, marking a new era of private sector participation in Arunachal Pradesh’s mining sector.

This marks a milestone not only for the state but also for India, which currently ranks as the world’s second-largest coal producer. Arunachal Pradesh is now poised to contribute to this status through its maiden commercial coal mining activity.

### Economic Impact and Employment

The commercial mining launch is expected to generate over ₹100 crore in annual revenue for Arunachal Pradesh. Beyond revenue generation, the project is anticipated to create substantial employment opportunities for the local youth, boosting the state’s socio-economic development.

This initiative aligns with Prime Minister Narendra Modi’s vision of EAST – Empower, Act, Strengthen, Transform – which guides development efforts across India’s Northeast region.

### Promoting Responsible Resource Management

By formalizing coal mining operations, the state aims to eradicate illegal mining activities that have previously led to resource exploitation and wastage. This move is expected to introduce transparency and accountability in managing Arunachal Pradesh’s precious natural resources.

Moreover, the government has announced plans to auction two critical mineral blocks in Arunachal Pradesh and five additional blocks in Assam. This highlights the growing importance of the Northeast region within India’s strategic and technological mineral landscape.

The inauguration of the Namchik-Namphuk coal mine marks a new chapter for Arunachal Pradesh, setting the stage for sustainable development while contributing to India’s overall energy and mineral production goals.
https://www.newsbytesapp.com/news/business/arunachal-pradesh-to-start-commercial-coal-mining-on-october-6/story

Arunachal Pradesh’s first commercial coal mine starts operations tomorrow

**Arunachal Pradesh’s First Commercial Coal Mine to Start Operations Tomorrow**

*By Dwaipayan Roy | October 5, 2025, 6:41 PM*

Arunachal Pradesh is set to inaugurate its first commercial coal mine at the Namchik-Namphuk coal block in Changlang district tomorrow. The ceremony will be led by Union Coal Minister G Kishan Reddy, who will perform the Bhoomi Poojan and officially hand over the mining lease. Additionally, he will flag off machinery for Coal Projects Private Limited (CPPL) to begin operations at the site and plant 100 trees as part of a green initiative.

**Namchik-Namphuk Coal Block: A Historical Overview**

The Namchik-Namphuk coal block, which holds reserves of approximately 1.5 crore tons, was initially allocated in 2003. However, the project faced several delays and stoppages due to operational challenges over the years. In 2022, the block was revived through a transparent auction process, facilitating private sector participation in Arunachal Pradesh’s mining industry.

This marks a significant milestone for Arunachal Pradesh as it embarks on its coal mining journey, positioning itself within India’s coal sector — India being the world’s second-largest coal producer.

**Economic Impact: Revenue and Employment**

The commencement of commercial coal mining in Arunachal Pradesh is expected to generate over ₹100 crore annually in revenue for the state. More importantly, it will create valuable employment opportunities for local youth, contributing to the region’s economic development.

This initiative aligns with Prime Minister Narendra Modi’s vision of EAST (Empower, Act, Strengthen, Transform), a guiding philosophy aimed at uplifting the Northeast region of India through sustainable growth and development.

**Sustainable Resource Management and Future Plans**

The launch of formal commercial mining will help curb illegal mining, exploitation, and wastage of the state’s natural resources. It is anticipated to bring greater transparency and accountability to the management of Arunachal Pradesh’s rich mineral wealth.

Furthermore, the government has announced plans to auction two critical mineral blocks in Arunachal Pradesh and five in Assam. These moves underscore the growing strategic importance of the Northeast region in India’s technological and mineral landscape.

With these developments, Arunachal Pradesh is poised to play a vital role in India’s broader mining sector while promoting sustainable economic growth.
https://www.newsbytesapp.com/news/business/arunachal-pradesh-to-start-commercial-coal-mining-on-october-6/story

Arunachal Pradesh’s first commercial coal mine starts operations tomorrow

**Arunachal Pradesh’s First Commercial Coal Mine to Commence Operations Tomorrow**

*By Dwaipayan Roy | October 5, 2025, 6:41 PM*

Arunachal Pradesh is set to make a significant leap in its mining sector with the inauguration of its first commercial coal mine at the Namchik-Namphuk coal block in Changlang district tomorrow. The ceremony will be led by Union Coal Minister G Kishan Reddy, who will perform the Bhoomi Poojan and officially hand over the mining lease.

During the event, Minister Reddy will also flag off the machinery for Coal Projects Private Limited (CPPL) to commence operations at the site. As a part of a green initiative, he will plant 100 trees, underscoring the commitment to environmentally responsible mining practices.

**A Long-Awaited Milestone: The Namchik-Namphuk Coal Block**

The Namchik-Namphuk coal block, which holds an estimated reserve of 1.5 crore tons of coal, was initially allocated in 2003. However, the project faced numerous delays and operational challenges over the years. It was in 2022 that the block was revived through a transparent auction process, opening the door for private sector participation and marking Arunachal Pradesh’s formal entry into the coal mining industry.

This development is particularly significant as India currently ranks as the world’s second-largest coal producer, and Arunachal Pradesh’s new role will contribute to bolstering the country’s coal output.

**Economic Benefits and Employment Opportunities**

The launch of commercial coal mining in Arunachal Pradesh is expected to generate an annual revenue of over ₹100 crore for the state government. Additionally, it will create numerous employment opportunities for local youth, providing a boost to the region’s economy.

This initiative aligns closely with Prime Minister Narendra Modi’s vision for the Northeast region, encapsulated in the EAST framework—Empower, Act, Strengthen, Transform—which guides development projects throughout the area.

**Promoting Transparency and Sustainable Resource Management**

One of the key benefits of the commercial mining operation is the anticipated end of illegal mining activities and resource exploitation that have previously plagued the region. The government aims to bring transparency and accountability to the management of Arunachal Pradesh’s natural resources through this official and regulated mining operation.

Furthermore, plans are underway to auction additional critical mineral blocks—two in Arunachal Pradesh and five in neighboring Assam—highlighting the Northeast’s growing importance in India’s strategic minerals and technology sectors.

The inauguration of the Namchik-Namphuk coal mine marks a new chapter in Arunachal Pradesh’s economic development, promising growth, sustainability, and prosperity for the region.
https://www.newsbytesapp.com/news/business/arunachal-pradesh-to-start-commercial-coal-mining-on-october-6/story

These IPOs will be launched in India this week

The primary market is gearing up for a major wave of initial public offerings (IPOs) with some high-profile launches on the horizon.

Among the most anticipated offerings are those from Tata Capital and LG Electronics. These upcoming IPOs are expected to attract significant investor interest and could set the tone for the market in the coming months.

Stay tuned for more updates as these launch dates approach, bringing new opportunities for investors and companies alike.
https://www.newsbytesapp.com/news/business/prepare-for-ipo-bonanza-tata-capital-lg-electronics-to-launch/story

Full-member team captains with hundreds in T20I run chases

**Full-Member Team Captains Who Have Scored Hundreds in T20I Run Chases**

*By Gaurav Tripathi | Oct 05, 2025*

Australian captain Mitchell Marsh led his team to a thrilling three-wicket victory over New Zealand in the third and final T20I at Tauranga’s Bay Oval. Marsh scored an unbeaten 103 off just 52 balls, marking his first-ever T20I century. This crucial win not only sealed the match but also ensured Australia clinched the T20I series 2-0.

Let’s take a look at the captains from full-member teams who have scored hundreds while chasing targets in T20 International matches.

### 1. Mitchell Marsh – 103* vs New Zealand, 2025

Marsh’s stellar performance came as Australia chased down New Zealand’s target of 157 runs. He remained unbeaten on 103, hitting seven sixes and eight fours during his innings. This century was his eighth across all formats for Australia, including Tests, ODIs, and T20Is.

It was largely a solo effort from Marsh, as no other Australian batter managed to score more than 15 runs in the match. Australia secured the win with two overs and three wickets to spare, thanks to Marsh’s commanding knock.

### 2. Babar Azam – 110* vs England, 2022

Pakistan captain Babar Azam is the only other captain to achieve this feat—and he appears twice on this list. In 2022, Babar played a magnificent innings against England in Lahore. Chasing a daunting target of 200, he scored an unbeaten 110 off just 66 balls, striking 11 fours and five sixes.

Babar anchored the chase with Mohammad Rizwan (88*), sharing an unbeaten 203-run partnership. Pakistan won the match by 10 wickets, with Babar leading the charge emphatically.

### 3. Babar Azam – 122 vs South Africa, 2021

Babar’s maiden T20I hundred in a run chase came against South Africa during the Centurion T20I in 2021. Chasing a challenging target of 204, Babar attacked from the start, reaching his half-century in only 27 balls.

He went on to score a stunning 122 runs off 59 balls, hitting 15 fours and four sixes. Along with Rizwan (73*), Babar put on a massive 197-run opening partnership, guiding Pakistan to victory with two overs to spare.

These remarkable innings by captains with hundreds in T20I run chases highlight their ability to lead from the front and inspire their teams to chase down challenging totals. Mitchell Marsh’s recent heroics add a new chapter to this exclusive list, alongside the outstanding performances of Babar Azam.
https://www.newsbytesapp.com/news/sports/captains-with-hundreds-in-t20i-run-chases-full-member-teams/story

Viewers as curators

Curators are sprouting like weeds in Pakistan’s art world. A gallery manager, a recent graduate, a mid-career practitioner, an art teacher, an eager writer—even an occasional collector—can suddenly transform into a curator. Most of them are temporary or amateur. These days, it is rare to receive an exhibition invitation that does not bear a curator’s name.

A curator cannot be easily compared with another, but the rise of this title has made the public acknowledge and respect the role of those who are neither makers, buyers, nor gallery owners, but mediators guiding viewers to look at the work (not always new) through a different lens.

What happens when viewers themselves become curators, finding links in the work on display? It is like connecting dots to form a coherent picture: a challenging task, but a rewarding one, leaving behind a sense of achievement. Unaware of how viewers may respond, the designer of the puzzle allows for multiple possibilities. The work is open to anyone who engages and interprets.

A similar experience could be found at *The Shape of Seeing*, curated by Ammar Aziz. The exhibition, held from September 20 to October 5, also marked the opening of ZQ Gallery, a new space in Lahore. Not only because of its location—a narrow street lined with small houses, luxury car showrooms, and lanes of automobile workshops—but also because of the group of artists chosen for its inaugural show, the exhibition has surprised spectators.

Names not usually seen together on a single list appear side by side. The work varies in content, date, technique, medium, genre, and scale. Adding further to the diversity, some are internationally acclaimed figures, while others are relatively unknown or less widely circulated. In that sense, the exhibition lives up to its title, *The Shape of Seeing*.

It offers a rare chance to view art in a hybrid setting: a residential-type space adjoining a white cube gallery. This blend, perhaps born of practical necessity, also raises questions about the disjunction between art created in a studio, displayed in a gallery, and ultimately housed in a corporate building or grand residence.

Some of the work in the show actively responds to the surroundings. Masooma Syed’s *Leaning Shadows*, for instance, occupies a corner that amplifies the lustrous presence of her chandelier-like suspended sculpture. Similarly, Hamra Abbass’ small, minimal marble relief is set in a dimly lit, intimate space, heightening its quiet impact.

In terms of thematic connection, the exhibition invites viewers to search for their own clues; each individual, one assumes, constructs a personal version. Yet a common thread runs through the work. Risham Hosain Syed’s *Texts and Contexts* series from 1996 (painted at the Royal College of Art, London) sits alongside Ayaz Jokhio’s cubit titled *Mugshots* (2024, Back to Basic, Articulate Studios, Lahore), which depicts the unfolding sides of an ordinary teacup.

These are displayed next to Ali Kazim’s two delicate dry pigments on mylar: *Untitled (Cloud Series)* and *Untitled (Lightning Series)*, both from 2019, and Anwar Saeed’s emotive digital piece *Undie ID* (2012). Together, they affirm the timelessness of art.

Read one way, the inaugural show at ZQ Gallery (part of the Zeenat Qureshi Institute of Digital and Regional Arts and Culture) seems to aim at transcending the limitations of time, while also discarding the conventional classification of artists by style, status, or stance.

This is reinforced by the presence of two artworks by Masooma Syed. One is an installation fashioned from old glassware, bottles, beads, chandelier parts, an iron frame, and warm lights. Nearby hangs her large mixed-media work on paper, created primarily with Indian newspapers, its strokes suggesting a European couple rendered in the colonial period. This echo of history is also present in Risham Hosain Syed’s diptych: one panel patterned with the motif of disappearing Victorian lace, the other containing a small but insistent frame within a frame, depicting two men on a motorbike looking at the roadside aftermath of a political protest—a crossroads of vernacular setting and imported turmoil.

Curators are sprouting like weeds in Pakistan’s art world. Those who are neither makers nor buyers nor gallery owners are guiding viewers to look at the work through a different lens.

The presence of the indigenous feels most evident in the exhibits grouped together as *The Shape of Seeing*, even if neither the makers nor, perhaps, the curator consciously intended it. In their materials, concerns, imagery, and issues, many of the artworks seem to narrate the stories of this land. Yet these are not tales buried in the cellars of the soil; rather, they remain in dialogue with narratives from across the world, contributing to an inclusive, diverse, and expansive human account of experiences and emotions.

Consider *Kalila wa-Dimna*, a collection of fables whose animal protagonists trace their origins to the Panchatantra, yet whose content also echoes in Aesop’s fables and, centuries later, in twentieth-century cartoons: Walt Disney’s Mickey Mouse, Universal’s Woody Woodpecker, MGM’s Tom and Jerry, and a long line of other animated characters. Where or when a story began, or how it continues to be retold, matters less. Creative overlaps demonstrate how artistic expressions stick to one another, often without the intention or awareness of their makers.

In this light, Ali Kazim’s brooding skies with a solitary cloud or streak of lightning; Muhammad Ashraf’s scar-like, red impasto surfaces; Imran Ahmed Khan’s paintings and sculptures inspired by the Indus Valley Civilisation, particularly Mehrgarh; and Hamra Abbass’ *Waterfall Drawings*, born of her intensive research into Mughal pietra dura motifs and transformed into a language of geometry and modern art—all point back to this land, its history, its climate, and its shifting realities.

Geography is never complete without its inhabitants. The two often intermingle, as can be seen in the work of Sajjad Ahmed, Shahid Mirza, and Sumera Jawad. Many other artists too have drawn attention to the plight of people trapped in their environment—a community struggling to negotiate questions of identity, individual choice, gender preference, and psychological pressure, perhaps all intertwined.

Anwar Saeed and Mohsin Shafi, in their imagery, explore society’s fixation with the body; its paranoia over power; and its perverse pleasure in subjugation. Rabeya Jalil’s jittery lines, seismic marks, and impulsive layers of paint respond to these very pressures. They suggest how external forces compel human beings to act in prescribed ways: what begins in anguish eventually hardens into habit, even into pleasure, until the two opposing sensations become indistinguishable.

In Jalil’s paintings, the misery of her characters is rendered with an almost playful delight. The scenario is grasped at first glance, yet its echoes can be traced, in different forms, throughout the other works in the exhibition.

In truth, this is the leitmotif of art in our present place and time. Whether one exhibition presents a clear curatorial vision or another appears indifferent to such agendas, both reflect the same reality. They are two sides of the same coin—the currency of art in Pakistan, and perhaps beyond.
https://www.thenews.com.pk/tns/detail/1348308-viewers-as-curators

Palghar News: Boisar Erupts In Protest Against ₹19,000-Crore Murbe Port Project

Boisar MIDC Becomes Flashpoint as Villagers Protest Murbe Port Project

Palghar, Maharashtra: Boisar MIDC turned into a flashpoint on Saturday as angry villagers from Murbe and nearby fishing hamlets gathered outside the Jindal company gates, demanding that the upcoming public hearing on the Murbe Port project be scrapped. Holding black flags, women, fishermen, and sarpanches raised thunderous slogans — “Ek do ek do, Jindal Bandar fek do” — before setting fire to the port’s concept drawings. Some protesters even created a rangoli from the ashes, calling it the “end of the port dream.”

Locals Slam EIA Report, Cite Environmental Violations

The project, slated to be executed by JSW Infrastructure, is facing mounting resistance from local communities. Villagers allege that the Environmental Impact Assessment (EIA) report—spanning over 1,300 pages—is riddled with loopholes. They argue that no proper studies regarding the Coastal Regulation Zone (CRZ), Coastal Zone Management Plans (CZMPs), or other environmental safeguards were conducted. This lack of transparency has left them unable to raise informed objections during the upcoming public hearing.

Project Expansion Sparks Outrage

Originally designed for just three berths, the Murbe Port project has now expanded dramatically to 16 berths, with costs surging from ₹4,800 crore in October 2024 to nearly ₹19,000 crore. Locals allege that the government is misleading citizens to push through a project that would displace fishing communities and devastate the fragile coastline.

According to the proposed plans, 1,065 acres will be reclaimed, and a 10-kilometre breakwater wall will stretch from Morve to Satpati. “If seawalls stretch from Morve to Satpati, where will the water go? Into our villages!” shouted one protester.

Villagers Unite Under Virodhi Samiti Banner

The agitation is being led by the Murbe Jindal Bandar Virodhi Sangharsh Samiti, with president Monalisa Tare, secretary Pramod Arekar, treasurer Sachin Patil, and sarpanches from Murbe, Nandgaon, Kumbhavli, Alewadi, Nawapur, and Satpati at the forefront. Farmers, fishing society leaders, and several political representatives have joined the protest.

Villagers had earlier requested the district administration to postpone the public hearing, but receiving no response, the protests intensified. “We will not allow this port to come up. If the administration ignores us, our agitation will only get stronger,” warned the Samiti leaders.

Company and Government Assure Safeguards

Despite rising opposition, JSW Infrastructure and the Maharashtra Maritime Board maintain that environmental safeguards and social measures are integral parts of the project. The plan includes mangrove and coastal conservation efforts, a 123-hectare greenbelt, and dedicated provisions for traditional fishing activities.

The port is expected to generate approximately 2,000 construction jobs and 2,500 operational jobs, boosting trade across Palghar, Thane, Tarapur, and Vapi. A total of ₹50 crore has been earmarked for community benefits covering healthcare, education, infrastructure, skill development, environmental conservation, and sports facilities.

Public Hearing to Proceed Amid Heightened Tensions

The public hearing, scheduled for October 6, will take place amid heightened tensions. Locals have vowed to escalate protests if authorities continue to ignore the concerns of coastal residents. Environmental activists and the company representatives are expected to present their cases during the session.

https://www.freepressjournal.in/mumbai/palghar-news-boisar-erupts-in-protest-against-19000-crore-murbe-port-project