Tag Archives: architectural

Amiri Opens First European Store – in Milan

MILAN Amiri is opening its first European flagship store, in Milan. The store follows the opening of the brand’s European headquarters in Milan earlier this year, marking the brand’s increased focus on the country and the continent. The interior design is evocative of classic luxury hotels, or private residences in the Hollywood Hills also evoking a movie set. The unit juxtaposes natural textures of wood and travertine and limestone on a checkered quartz floor, reminiscent of 1920’s architecture. Amiri footwear is displayed against pale green-toned onyx walls and shelves, tactile banquette seating in draped velvet in the background. Wallpaper and soft, pre-loved fabrics in muted hues contrast with sleek limestone and travertine shelving. A bespoke beveled glass bar and tapestry artworks woven into wooden boiserie feature on the lower floor. Vintage furniture and art objects Art Deco lamps, Terrazza sofas, vintage tables dot the flagship. This is the 30th store for the L. A.-based brand since debuting with its first flagship on Rodeo Drive in 2020. In 2019, Italian fashion group OTB founded by Renzo Rosso, took a minority stake in Amiri, founded by the designer in 2014. The brand has garnered a who’s who of celebrity fans including Justin Bieber, Beyoncé, Taylor Swift, Alicia Keys and Post Malone, to name a few. Amiri seasonally shows at Paris Fashion Week. Here, exclusively with WWD, the designer elaborates on the opening and the future of his brand. WWD: What are your thoughts on Milan? Why did you choose this city to open your first boutique in Europe, and what do you think of this specific location? Mike Amiri: Milan is a key fashion destination not just for us, but for the world. Opening this space here, for me, is a clear statement of where Amiri stands in the global luxury landscape. Italy is one of the central hubs of our manufacturing, and Milan is where we established our European office earlier this year, so opening our first European flagship here was in complete alignment. The energy of Milan has always connected with my idea of Amiri craftsmanship, a tailoring tradition, a sense of dynamic modernity. It’s an amazing space, that enables us the scope to create a retail environment that really expresses the Amiri universe. It offers visitors a sense of openness, but also discovery. WWD: How would you describe the interior design and how does this boutique differs from other Amiri stores? M. A.: Including this new Milan flagship, our retail network now comprises 31 standalone boutiques globally and these are for us, a fundamental opportunity for storytelling through an entire immersive environment. A lot of people speak about the “experiential,” and that is important for us coming from Hollywood, for me there’s a sense of these spaces as almost like set pieces, or stages to help us convey our brand narrative. They are a key context for the clothes, to help bring a visitor into our world. This retail space has a number of distinct identities, for different facets of our product offering but also different expressions of creativity. It’s also a melding of worlds references to America’s West Coast, our birthplace, our home and our adopted home here of Milan. So there are nods to the 1920s, a sleek elegance of design, combinations and juxtapositions of different tactile surfaces like limestone, marble, velvet, wood boiseries and custom tapestries, that create panoramas for our clients to explore. In all our retail spaces, we try to have some kind of response to the local community, to create something unique and tailored to that space, that culture. I love that this space feels like it could be either an Italian palazzo, or a private home, or a luxurious hotel in the Hollywood Hills. It’s transporting. WWD: Where would you like to open new stores in the near future? Are there any projects already underway? M. A: For me, it’s less about rapid expansion and more about placing boutiques where the culture feels aligned. I want every opening to be intentional, a space that contributes to the local creative dialogue rather than simply occupying a name on a map. We have been expanding around the world across the past 12 months and while we have plans to continue expanding next year, for now, our focus is on this milestone of our Milan flagship, and this new footprint in Europe. WWD: How many wholesale points of sale currently carry Amiri? M. A.: Our wholesale network comprises approximately 150 luxury accounts, operating across nearly 400 points of sale worldwide. It’s a true reflection of Amiri’s global reach and resonance with cultures and communities. WWD: What are the brand’s bestsellers? M. A.: Our bestsellers truly span categories total looks resonate with our clients, which is something satisfying, that they want to buy into the entirety of our Amiri vision, and feel a true part of our world. Tailoring is also one of our strongest segments, for both men and women, day and evening our clients respond to the craftsmanship Inherent to that, and it’s become a hallmark of Amiri, and one of our signifiers. Additionally, accessories are experiencing particularly rapid growth, especially footwear and women’s bags, which are a key category for us. Alongside the innovation we showcase in our runway shows, we’re building on enduring signatures, season after season, and our clients are responding. WWD: What are your personal dreams or long-term ambitions?.
https://wwd.com/business-news/retail/amiri-first-store-milan-1238358580/

This Concours d’Elegance Car Show Is The East Coast’s Answer To Pebble Beach

Set among the mansions of the Gilded Age, Rhode Island’s Audrain Newport Concours & Motor Week is chaired by Jay Leno. The annual Audrain Newport Concours & Motor Week, held every October in the posh Rhode Island resort town, is quickly growing into the best classic and luxury car event on the East Coast, blending the best of Pebble Beach with a distinctly New England sense and sensibility. Jetting out to the West Coast is no longer de rigeur in order to get your fix thanks to the increasingly alluring event, which is chaired by Jay Leno. The event’s mission centers on “celebrating the diversity, elegance, and timelessness of classic and modern vehicles and the people who bond with them.” Organized by the Audrain Group, the festivities revolve around the Audrain Automobile Museum, which sits adjacent to the historic Newport Casino, an architectural masterpiece designed by the renowned Stanford White in the late 1800s. What began as a modest gathering of mostly local collectors in 2019 has blossomed into an entire week of luxury automotive showcases and lifestyle-oriented events. The celebration takes full advantage of Newport’s extraordinary architectural heritage, hosting gatherings at some of America’s most iconic Gilded Age mansions, including The Breakers and Rough Point. The week’s various high-end happenings build anticipation for the main attraction: the Audrain Newport Concours d’Elegance. This prestigious finale features multiple classes of both meticulously restored and carefully maintained automobiles that “have had a significant impact on automotive history.” The Concours takes place at The Breakers, the breathtaking 70-room mansion commissioned by railroad magnate Cornelius Vanderbilt III in the 1880s. This year’s Concours assembled 70 prominent judges representing four different countries, who evaluated 184 exceptional vehicles from across the United States and Europe. The meticulous judging process ensures that the most deserving automobiles receive recognition and awards. The event is sponsored by A. Lange & Söhne, the distinguished German luxury watchmaker renowned among serious timepiece collectors worldwide. This year’s coveted Best of Show honors went to a stunning 1933 Alfa Romeo 8C-2300 “Rimoldi” Corto Spyder, owned by collector and heavy-equipment mogul Chris MacAllister. This car carries exceptional historical significance, having competed in the legendary 1935 Monte Carlo Rally, where it came remarkably close to victory, and is widely considered one of the most important pre-war Italian cars in existence as well as one of the most valuable Alfa Romeos. Leno, who owns a historic mansion in Newport: ”What makes the Audrain Concours so special is that it’s really breaking the surface and you can feel it becoming a big, must-see event. It’s got this great atmosphere and plenty of space to walk around and see the cars up close. A big part of what makes it so special is that we do ‘30 Under 30’ class which attracts a younger crowd who are restoring cars and getting to see them next to an Alfa Romeo or Aston Martin. It’s a great atmosphere that gets new generations involved.” The Audrain Group leadership includes billionaire CEO Nick Schorsch and his son Nick Jr., who head two innovative hospitality companies united by a common goal “to preserve the past while embracing the future and being anchored in a culture of exceptional service at every level.” Through their Newport-based Heritage Group, they own several of the town’s finest dining establishments, including the legendary Brick Alley Pub and The Reef, a beloved waterfront restaurant. “This hospitality expertise ensures that the entire Motor Week experience extends beyond automotive appreciation to encompass the finest in dining and entertainment,” Audrain notes. The Schorsch’s Audrain Automobile Museum, established in 2014, serves as the event’s year-round anchor. The institution maintains a rotating collection exceeding 400 vehicles that span automotive history, from early brass-era pioneering models to today’s most technologically advanced supercars. Through “carefully curated exhibitions, comprehensive educational programs, and an innovative digital platform,” the museum brings automotive stories to life for both local residents and international visitors. Audrain Group President Nic Waller emphasizes the vital role that dedicated collectors play in the world of automotive preservation. “Owners like Chris MacAllister play a vital role in preserving the legacy of classic cars and ensuring that these remarkable vehicles continue to be celebrated for generations to come,” he says. “His commitment to maintaining and sharing the rich history of automobiles enriches the automotive community and perpetuates a shared love for vintage cars.” He adds that, “Audrain strives to foster appreciation for historic vehicles, inspire future generations of automotive enthusiasts, and preserve the legacy of iconic automobiles that have shaped our past and continue to influence our present.” Much of the revenue collected is passed along to various charities and benevolent organizations, and much of the work is done by a team of dedicated volunteers. Beyond the Concours itself, this year’s Motor Week featured several distinguished events. The Gathering at Rough Point transformed Doris Duke’s spectacular oceanfront estate into a luxury lifestyle lawn party celebrating automotive culture. Exhibitors such as Aston Martin, Bentley and Expedition Motor Company showcased their latest creations in a Gatsby-esque setting complete with mobile champagne and lobster roll bars. The week also included the Audrain Bandstand charity gala at the International Tennis Hall of Fame, where Leno hosted a 1950s-themed evening featuring classic sports and racing cars dramatically displayed on the institution’s pristine grass tennis courts, creating an unforgettable fusion of automotive and sporting heritage. Ticket holders got into the full spirit of the occasion, dressing in vintage clothing and dancing the night away. Among the special awards at the Concours were the ‘Most Elegant’ award to Tom Maoli for his 1938 Talbot-Lago T150 C Lago Speciale Teardrop Coupe; the ‘Chairman’s Award’ to the 1967 Maserati Ghibli 2 Door Coupe owned by Ernie Boch Jr. The ‘Design Award’ presented to Robert Wilder for his 1963 Alfa Romeo TZ1 Coupe; the ‘Founder’s Award’ to Fritz Burkard for his 1937 Bugatti Type 57C Atalante Roll-Back Coupe; and the Simeone Award for Historic Presence to Rob Kauffman for his 1934 Alfa Romeo 8C-2300 Brianza Le Mans Spider. The Audrain Newport Concours & Motor Week has now established New England as a legitimate alternative to California’s long-dominant Monterey Car Week, not by attempting to replicate it but by creating its own unique atmosphere and making the most of an awe-inspiring setting. You’ll want to get tickets to next year’s event ASAP.
https://www.maxim.com/travel/this-concours-delegance-classic-car-show-is-the-east-coasts-answer-to-pebble-beach/

‘The Epstein Ballroom’ Is Getting Funded By Tech Bribes

Turns out, it’s not just “patriot donors” funding the new White House ballroom — tech giant Alphabet, the parent company of Google and YouTube, is chipping in, too. CNBC reports that the company is contributing $22 million to the $250 million project, with the money routed through a legal settlement reached last month over Trump’s YouTube ban following the January 6, 2021, Capitol riot.

The Google-owned platform froze Trump’s account in the riot’s aftermath, warning his posts could spark further violence. Trump later sued, claiming censorship and wrongful suspension. Under the Oakland, California, federal court settlement, nearly 10% of the ballroom’s estimated construction costs will now come from Alphabet.

CNBC reports the money will be donated on Trump’s behalf “to the Trust for the National Mall, a 501(c)(3) tax-exempt entity dedicated to restoring, preserving, and elevating the National Mall, to support the construction of the White House State Ballroom.”

Images of cranes tearing into the East Wing to make way for the 90,000-square-foot ballroom sparked public backlash this week and raised fresh questions about who is footing the bill. Trump has repeatedly insisted the project is privately funded and will cost taxpayers nothing.

“For more than 150 years, every President has dreamt about having a Ballroom at the White House to accommodate people for grand parties, State Visits, etc. I am honored to be the first President to finally get this much-needed project underway—with zero cost to the American Taxpayer!” Trump wrote on Monday on Truth Social.

Trump has pledged some of his own money to the project, and other donors include Lockheed Martin, reportedly contributing more than $10 million. Tech companies are also pitching in: Beyond the settlement contribution, Google is committing at least $5 million. Comcast—parent company of CNBC—is also listed as a donor, though the amount is unknown. The company will spin off CNBC later this year under a new parent, Versant.

The project has drawn scrutiny from Treasury Department employees, whose offices overlook the demolition site. The department has barred staff from sharing images of the work, citing security concerns, though critics argue transparency is vital for public oversight.

The East Wing’s demolition, including the removal of historic elements like trees and architectural details, has fueled complaints that the project is far more than a simple upgrade—it represents a substantial transformation of one of the nation’s most symbolic spaces.

Preservationists are weighing in as well. On Tuesday, the National Trust for Historic Preservation sent a letter urging a pause on demolition until proper public review processes are completed. Carol Quillen, National Trust’s president and CEO, stressed that while a larger meeting space may be useful, the scale and height of the proposed ballroom could “overwhelm the White House itself” and disrupt its classical design.

She called for consultations with the relevant review agencies and public input to ensure the project respects the historic significance of the building and its grounds.

“The National Trust stands ready to assist the White House, the National Park Service, and relevant review agencies in exploring design alternatives and modifications that would accomplish the objectives of the Administration while preserving the historic integrity and symbolism of the People’s House,” Quillen added.

Trump has insisted the ballroom “won’t interfere with the current building.”

“It’ll be near it but not touching it, and pays total respect to the existing building, which I’m the biggest fan of,” he said in July. But that doesn’t appear to be the case anymore.

The New York Times reported Wednesday that the White House has decided it would be “cheaper and more structurally sound to demolish the East Wing” rather than build an addition. The full demolition is expected to be finished by this weekend.

The White House has also dismissed criticism, comparing the project to minor modifications under former President Barack Obama, such as adding basketball lines and baskets to the tennis courts. But those changes were far less disruptive than dismantling the East Wing.

With Alphabet, Lockheed Martin, and other major donors helping foot the bill, Trump is moving full steam ahead on a ballroom he says will be “happily used for generations to come,” promising a mix of private financing and personal investment.

The project underscores Trump’s ongoing fascination with leaving a permanent mark on the White House, turning construction into both a legacy project and a showcase for corporate support.
https://crooksandliars.com/2025/10/what-trump-calls-donors-are-actually

What Unix pipelines got right and how we can do better

UNIX pipelines represent one of computing’s most elegant architectural breakthroughs. While most discussions focus on their practical utility—chaining commands like grep | sort | uniq—the real significance lies deeper. Pipelines demonstrated fundamental principles of software composition that we’re still learning to fully realize in modern systems.

The Breakthrough: True Isolation

The genius of UNIX pipelines wasn’t just connecting programs—it was isolating them in ways that enabled genuine composability.

Data Isolation

Unlike function calls that share memory and state, pipeline processes communicate only through explicit data streams. Each process owns its memory completely. This eliminates shared-state problems that plague modern systems, from race conditions to subtle coupling through global variables. When you run cat file.txt | grep pattern, the cat process cannot corrupt grep‘s memory or accidentally modify its internal state. The isolation is complete and enforced by the operating system itself.

Control Flow Isolation

Perhaps more importantly, pipelines broke the tyranny of synchronous execution. When cat writes to stdout, it doesn’t block waiting for grep to process that data. The sender continues its work independently. This asynchronous-by-default design prevents the implicit blocking that makes reasoning about complex systems so difficult.

Compare this to function calls, where function_a(function_b) creates tight coupling—function_a cannot proceed until function_b completes entirely. Pipelines demonstrated that dataflow and control flow could be separated, enabling true concurrent composition.

Language Agnosticism

Because processes communicate through a simple byte stream interface, you can compose programs written in any language. A Python script can feed a C program that feeds a shell script. Each tool operates within its language’s sweet spot without forcing concepts into inappropriate paradigms.

This cross-language composition remains remarkably rare in modern development, where we typically force everything into a single language ecosystem and its assumptions.

The Elegant Transport Layer

UNIX pipelines got the abstraction layers exactly right:

  • Transport layer: Raw bytes flowing through file descriptors
  • Protocol layer: Applications that need structure (like text processing) layer it on top

Most text-processing commands assume line-oriented data (bytes separated by newlines), but this is a protocol choice, not a transport requirement. The underlying system just moves bytes. This separation of concerns made the system both simple and extensible.

What UNIX Pipelines Proved Was Possible

Pipelines demonstrated that software could be composed like hardware components—isolated units communicating through well-defined interfaces. They showed that:

  • Loose coupling enables reusability: Small, focused programs become building blocks
  • Explicit interfaces prevent hidden dependencies: Everything flows through visible streams
  • Asynchronous composition scales better: No global coordination required
  • Language diversity strengthens systems: Use the right tool for each job

In essence, pipelines provided a “proof of concept” for what would later be called microservices architecture, message-passing systems, and dataflow programming.

The Limitations: Products of Their Time

Despite their architectural elegance, UNIX pipelines had significant constraints that reflected 1970s implementation realities:

Text-Centric Design

The shell syntax itself is fundamentally based on linear text, which constrains how programmers can compose commands. While the transport layer handles raw bytes perfectly, and it’s technically possible to redirect multiple file descriptors, in practice the textual syntax makes it awkward to express anything but linear, left-to-right combinations of commands.

Linear Topology

Only UNIX pipes enforce a strictly linear flow: one input, one output. You cannot easily fan out data to multiple consumers or merge streams from multiple producers. The pipe data structure contains exactly one input file descriptor and one output file descriptor.

In hardware, electrical signals naturally fan out to multiple destinations. In software messaging systems, we can copy data to multiple receivers. But UNIX pipes consume data—once grep reads a line, it’s gone and unavailable to other potential processors. The lack of fan-out makes it awkward to express combinations where one sender feeds many receivers.

In 1970, avoiding garbage collection was a practical necessity, but today garbage collection is available in most programming workflows, and fan-out could be implemented much more easily through message copying rather than consumption.

More significantly, programmers are encouraged to create pipelines in a linear, left-to-right manner, meaning feedback loops usually aren’t even imagined. This represents a profound limitation in thinking.

In contrast, feedback is a fundamental design pattern in electronics, especially in circuits involving operational amplifiers where negative feedback creates self-stabilizing behavior. The linear textual syntax has trained generations of programmers to think in terms of one-way data flows, when many problems would benefit from circular, self-correcting architectures.

The tooling ecosystem that evolved around line-oriented text processing reinforced this linear mindset, making feedback-based designs seem exotic rather than natural.

Note that feedback should not be confused with recursion. Recursion relies on LIFO behavior (Last In First Out) whereas feedback relies on FIFO (First In First Out) behavior. This is akin to someone waiting their turn in line versus someone butting in to the front of the line—feedback versus recursion. The distinction matters because feedback creates temporal loops in data flow, while recursion creates nested control structures.

Heavy Implementation

  • UNIX processes are essentially heavyweight closures.
  • Constrained Error Handling: The stdin/stdout/stderr model implicitly defines a “happy path” assumption. Anything that doesn’t fit the linear, successful processing model gets pushed to stderr or requires out-of-band communication.
  • Complex workflows: Multiple success conditions or branching logic become awkward to express.
  • Limited syntactic expressiveness: The UNIX shell’s textual syntax is poorly suited for expressing asynchronous parts with multiple ports combined in non-sequential arrangements.

One input (stdin) and one output (stdout) are easily handled with pipe syntax like command1 | command2, but non-linear dataflows become awkward to express and are therefore avoided by programmers.

This syntactic constraint has likely shaped decades of software architecture decisions, pushing us toward linear processing chains when the underlying problems might benefit from more sophisticated dataflow patterns.

The pipe operator | is deceptively powerful in its simplicity, but it’s also tyrannically limiting. It makes one thing—linear chaining—so effortless that it becomes the default mental model for composition. Meanwhile, patterns that would be natural in other domains (fan-out in electronics, merge/split in manufacturing, conditional routing in logistics) become “advanced” or “complex” simply because the notation makes them hard to express.

The limitation isn’t conceptual—it’s syntactic. The computational model underneath pipelines was always capable of sophisticated patterns like fan-out, fan-in, and conditional routing. But the textual interface shaped fifty years of thinking about how programs should connect.

This reveals something profound about how notation shapes thought and constrains possibility. The connection between representation and what gets built is fundamental—we tend to build what we can easily express.

Consider how different software architecture might look today if the original shell had been visual rather than textual, if connecting programs looked more like patching a modular synthesizer or wiring a circuit board. We might have developed entirely different patterns for system composition that naturally embrace parallelism and complex dataflow topologies.

Simulated Asynchrony

While pipelines appear asynchronous, they actually rely on time-sharing and dispatcher preemption. Only one process runs at a time on a single CPU. The dispatcher creates an illusion of simultaneity through rapid context switching, but the underlying execution remains fundamentally sequential.

In essence, operating systems convert linear, functional sequences into state machines by saving and restoring state into hidden global data structures. Functions are mapped onto hardware using a global variable—the call stack—which causes further under-the-hood tight coupling and necessitates virtualizing memory at great expense in terms of CPU cycles.

How We Can Do Better in 2025

Modern systems have capabilities that the original UNIX designers could only dream of. We can apply pipeline principles more effectively:

Lightweight Processes

Most modern languages already provide everything needed for pipeline-style composition—closures, message queues, and garbage collection—yet we consistently overlook these capabilities in favor of heavyweight threading abstractions. Modern runtime systems include closures with lexical scoping, event loops, and asynchronous execution primitives.

These are essentially lightweight processes with built-in message passing. Yet applications routinely spawn actual OS processes or system threads when message-passing between closures would be orders of magnitude more efficient.

The influence of CSP (Communicating Sequential Processes) appears in many modern language designs—channels, actors, and message queues are common abstractions. But CSP’s goal was to describe multiprocessing in a sequential manner.

Today we need ways to reason about multiple processes that are genuinely asynchronous and non-sequential, where timing and concurrency are first-class concerns rather than implementation details hidden behind sequential abstractions.

The fundamental building blocks are hiding in plain sight. Closures are lighter than processes, channels are more flexible than pipes, and garbage collection handles message copying automatically. We have superior pipeline implementations sitting in every modern language runtime—we just haven’t recognized them as such, conditioned by decades of function-call thinking.

Rich Data Types

Instead of requiring everything to flatten to a single format, we can maintain structured data throughout processing pipelines by layering protocols appropriately. The key insight from UNIX pipelines—keeping the transport layer simple while allowing richer protocols on top—remains crucial.

The transport layer should handle the simplest possible data unit (bytes, messages, or events). When components need richer data types—JSON, protocol buffers, or domain-specific structures—these become protocol layers implemented by individual parts on an as-needed basis.

This layered approach, reminiscent of the OSI network model, allows each component to operate at the appropriate level of abstraction without forcing unnecessary complexity into the transport infrastructure.

A text-processing component might layer line-oriented protocols on top of byte streams, while a financial system might layer structured transaction records on top of message queues. The transport remains agnostic; the protocol knowledge lives in the components that need it.

The idea of snapping software blocks into architectures to handle “as-needed” cases becomes simpler to imagine when software units can be composed by snapping them together like LEGO® blocks.

True Parallelism

With multi-core systems and cheap memory, we have an opportunity to fundamentally rethink program architecture. Rather than simulating parallelism through time-sharing, we should either design systems with truly isolated CPUs plus private memory, or develop notations that allow Software Architects to partition programs into small components that fit entirely within modern private caches.

The current multi-core model with shared caches and complex coherency protocols obscures the underlying execution reality. We need clearer abstractions: either genuine isolation (separate CPUs with separate memory) or explicit control over cache-sized program partitions.

Software Architects are better positioned than compiler algorithms to decide which parts of a program should be self-contained components. Project-specific knowledge about data flow, timing requirements, and component boundaries should drive the partitioning decisions rather than leaving this to generic optimization algorithms that cannot understand the problem domain.

Flexible Topologies

Message queues and pub/sub systems enable fan-out, fan-in, and complex routing patterns. We’re not limited to linear chains—we can build arbitrary dataflow graphs while maintaining the isolation benefits.

Better Error Handling

Instead of forcing everything into success/error paths, we can design components with multiple named outputs for different conditions. Pattern matching and sum types in modern languages provide elegant ways to handle diverse outcomes.

The Enduring Lessons

UNIX pipelines taught us that great software architecture comes from getting the separation of concerns exactly right. They showed that:

  • Isolation enables composition: The more isolated your components, the more freely you can combine them
  • Simple interfaces scale: Bytes and file descriptors proved more durable than complex APIs
  • Asynchrony should be the default: Synchronous execution is the special case, not the norm
  • Explicit beats implicit: Visible data flows are easier to reason about than hidden function call graphs

These principles remain as relevant today as they were fifty years ago. While the implementation details have evolved dramatically, the core architectural insights of UNIX pipelines continue to guide the design of robust, scalable systems.

The next breakthrough in software development may well come from finally implementing these pipeline principles with the full power of modern computing—true parallelism, rich data types, and lightweight isolation. We have the tools now. We just need to remember the lessons.

See Also

Email: ptcomputingsimplicity@gmail.com

References

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https://programmingsimplicity.substack.com/p/what-unix-pipelines-got-right-and