Category Archives: heritage

Burberry’s Festival Beat

Daniel Lee, Chief Creative Officer of Burberry Group, used the Burberry Spring 2026 collection to connect music with fashion in clear, direct ways. The runway was set under a sky-patterned tent in Perks Field at Kensington Palace, creating a setting that felt like a festival backstage. The floor was covered in dirt, while guests laughed and moved like a crowd eagerly waiting for a headline act.

The clothes maintained British tailoring but offered a music lover’s wardrobe with polish for the stage and durability in the mud. The collection balanced heritage with hedonism, featuring utility pieces built for both performance and weather. Lee referenced decades of British music culture—from the Mod period to folk rock and the current indie revival—filtering these influences through Burberry’s practical design to give each reference a modern shape.

“Musicians have always had incredible style, and together with fashion, they form a really strong culture,” Lee explained. The clothes embodied this idea with cropped A-line coats in Pop-Art checks and tartans in vibrant apple green and acid yellow. Classic camel coats kept their traditional structure while allowing a swinging hem.

The front row added to the festival atmosphere. British cultural icon Twiggy (Dame Lesley Lawson) arrived ahead of a group of musicians, joking, “I want to get in before the boy band arrives.” Also present were Elton John, Vanessa Williams, Skepta, Central Cee, and Naomi Campbell. Anna Wintour attended alongside US tennis star Jack Draper. Benji B, one of the world’s most respected music curators, mixed Black Sabbath tracks into the soundtrack, underlining the connection between rock heritage and new audiences.

Shine and weather protection remained central themes throughout the collection. Sequinned mini kilts flashed Burberry checks in pink and green, while glossy bomber jackets and wet-look leathers reflected light. Trench-inspired pieces appeared in denim, raffia, and waterproof cotton, proving that Burberry still designs with the elements in mind. Crochet and chainmail dresses were paired with fringe and flat lace-up shoes, perfect for festival grounds.

Suits stayed slim and short in silhouette, often featuring a Canadian-denim twist. Other looks were accented with hot pink polish or brown coatings featuring 1960s edges. Accessories included oversized fringe bags, skinny crochet scarves, and belts with prominent buckles—each serving a practical purpose while adding visual impact.

Daniel Lee delivered a focused vision: rock and roll style works when adapted for a modern mindset. In this latest collection, heritage pieces met a festival mood, and England felt ready to swing again.
https://www.thenews.com.pk/tns/detail/1346803-burberrys-festival-beat

Burberry’s Festival Beat

Daniel Lee, Chief Creative Officer of Burberry Group, used the Burberry Spring 2026 collection to connect music with fashion in clear, direct ways. The runway was set under a sky-patterned tent in Perks Field at Kensington Palace, creating a setting that felt like a festival backstage. The floor showed dirt while guests laughed and moved like a crowd waiting for a headline act.

The clothes maintained British tailoring while offering a music lover’s wardrobe polished enough for the stage and durable enough for the mud. The result was a balance of heritage with hedonism, featuring utility pieces built for both performance and weather. Lee referenced decades of British music culture—from the Mod period to folk rock and the current indie revival—filtering these influences through Burberry’s practical design to give each reference a modern shape.

“Musicians have always had incredible style, and together with fashion, they form a really strong culture,” Lee said. The clothes followed this idea, showcasing cropped A-line coats in Pop-Art checks and tartans in apple green and acid yellow. Classic camel coats retained their structure while allowing a swinging hem.

The front row added to the festival vibe. Twiggy (Dame Lesley Lawson), a British cultural icon, arrived ahead of a group of musicians. “I want to get in before the boy band arrives,” she said playfully. Elton John, Vanessa Williams, Skepta, Central Cee, and Naomi Campbell were also present. Anna Wintour attended alongside US tennis star Jack Draper.

Music curator Benji B, one of the world’s most respected in his field, mixed Black Sabbath into the soundtrack to highlight the connection between rock heritage and new audiences.

Shine and weather protection remained central themes throughout the collection. Sequinned mini kilts flashed Burberry checks in pink and green, while glossy bomber jackets and wet-look leathers reflected light. Trench-inspired pieces appeared in denim, raffia, and waterproof cotton, reminding guests that Burberry still designs for the elements.

Crochet and chainmail dresses came with fringe and flat lace-up shoes suitable for festival grounds. Suits stayed slim and short in silhouette, often with a Canadian denim twist. Others featured hot pink polish or brown coatings with 1960s edges.

Accessories included oversized fringe bags, skinny crochet scarves, and belts with prominent buckles. Each piece served a practical purpose while adding visual impact.

Daniel Lee delivered a focused concept: rock and roll style works when adapted for a modern mindset. In this latest collection, heritage pieces met a festival mood, and England felt ready to swing again.
https://www.thenews.com.pk/tns/detail/1346803-burberrys-festival-beat

Seeing Ireland through my father’s vintage Kodachrome images

A Savvy Traveler’s Journey to Ireland in 1953
By Jannet L. Walsh

In 1953, a savvy traveler from rural Minnesota packed a portable 35mm camera, Kodachrome slide film, and other essentials for world travel. That traveler was my father.

My late father, Martin J. Walsh Jr.—nicknamed Marty to avoid confusion with his father, Martin J. Walsh Sr.—made our family’s first known return trip home to Ireland that year. He documented his adventures with Kodachrome film and his Clarus 35mm camera.

A native of Murdock, Minnesota, my father was 28 in 1953 and working as a railroad telegrapher, communicating by Morse code for the Great Northern and Burlington Northern Railroad — a career he maintained from 1943 to 1984 as the company evolved to Burlington Northern Railroad.

Our family belongs to a predominantly Irish immigrant community in De Graff, a small town in rural Swift County, Minnesota. They arrived in the late 1800s as part of a settlement initiative led by Archbishop John Ireland of Saint Paul. Archbishop Ireland helped establish a series of ten villages across five counties in western Minnesota between 1875 and 1885, providing Irish Catholic families like mine an opportunity to escape urban slums by resettling in farmlands.

Growing up, my father often reminded us, “We are Archbishop John Ireland’s people.” It was a striking coincidence that the Archbishop’s last name matched the country our ancestors had left behind in the mid-1800s.

Today, I live just three miles from De Graff, in the same house where my father was born in 1924. You can learn more about De Graff and the historic Church of St. Bridget via the United States Department of the Interior, National Park Service website. Additionally, the Library of Congress in Washington, DC, offers a detailed presentation on Irish-Catholic immigration to America, providing deeper insights into this significant chapter of history.

### A Father’s Legacy Preserved in Kodachrome

Though my father was not a professional photographer, his incredible 1953 Kodachrome images survive today, giving us a rare glimpse into his expedition to Ireland. His love of travel and photography inspired both my brother, Paul M. Walsh, and me, as we pursued careers in photojournalism and media.

Because he carefully documented what he encountered, I now know much more about my father’s journey than I otherwise might. You can view many of Martin J. Walsh Jr.’s photographs of Ireland [here on Flickr](#).

I imagine my father as a proud young man with the incredible opportunity to see his family’s homeland for the first time. On one Kodachrome slide from May 16, 1953, he wrote, “My pockets full,” capturing the feeling of anticipation and preparation as he stayed across from Saint Stephen’s Green at the Shelbourne Hotel in Dublin.

### Passport Details and the “Black Irish” Mystery

My father’s U.S. passport, issued on February 6, 1953, lists no wife or children. The description notes he was 5 feet 11 inches tall, with brown hair, hazel eyes, and no distinguishing marks. Born in Murdock, Minnesota, his occupation was recorded as telegraph operator.

Interestingly, although his passport didn’t mention it, my father would refer to himself as “Black Irish” when I was a child. Although he was clearly Caucasian, with freckles suggesting he carried rare red hair genes, the term “Black Irish” typically describes people of Irish ancestry with black hair and dark eyes. The theory suggests such people may descend from shipwrecked Spanish traders. (Learn more about this fascinating theory [here](#).)

### The Journey to Ireland

In 1953, travel to Europe opened up significantly after World War II. My father’s journey began by train departing Willmar, Minnesota, according to my grandfather’s diary. Eventually, he landed by plane in Belfast, Northern Ireland, with a stopover for refueling in Gander, Newfoundland, Canada. This stopover was necessary in early postwar transatlantic air travel.

American Express offices facilitated communications, enabling him to stay in touch with family back home, receiving letters and local news from Murdock, including updates from the Catholic parish.

Gander’s strategic location later made its airport a designated alternate landing site for NASA’s Space Shuttle program—a fascinating twist of history that my father, flying from rural Minnesota, likely never anticipated.

### Exploring Ireland’s Landscapes and Heritage

During his trip, my father visited Killarney in County Kerry, an area linked to our family roots. Although he didn’t locate the farm I discovered in 2018 located in the Townland of Dromkerry, County Kerry, he did capture the stunning surrounding landscapes — views of the Gap of Dunloe, the Lakes of Killarney, the MacGillycuddy’s Reeks, and Purple Mountain ranges.

His photos show a three-hour pony and trap ride through the Gap of Dunloe, as well as scenic railway stations, mountain vistas, and country landscapes.

### Dublin and The Quiet Man Connection

While staying at the Shelbourne Hotel in Dublin, my father photographed scenes after rain, including views from his hotel room overlooking Saint Stephen’s Green.

He traveled extensively by train and tour bus around Ireland—visiting Dublin, Galway, Limerick, and sites where the 1952 film *The Quiet Man* was shot. The movie, featuring John Wayne, Maureen O’Hara, and Barry Fitzgerald, is a cultural touchstone for many Irish Americans. My father’s Kodachrome slides include images of John Wayne’s house and other film locations in Galway.

I wouldn’t be surprised if *The Quiet Man* inspired or strengthened my father’s desire to explore his family’s Irish heritage. Incidentally, in January 2019, I had the unique experience of watching *The Quiet Man* from my hotel room while staying at the Shelbourne Hotel—something unimaginable during my father’s trip. Unlike my father, I didn’t have a window view of Saint Stephen’s Green, but rather a courtyard view and the Irish flag waving from the rooftop.

### About the Author

Jannet L. Walsh of Murdock, Minnesota, is a photographer, writer, and educator. She is the author of the forthcoming creative nonfiction quest narrative *Higgledy-Piggledy Stones: Family Stories from Ireland and Minnesota*, scheduled for publication in 2022 by Shanti Arts Publishing. She has also compiled the *Irish Genealogy Toolkit*, a comprehensive list of resources for researching your Irish roots.

You can follow Jannet Walsh on [Facebook](#) and [Twitter](#).

*Originally published in 2022 and updated in September 2025.*
https://www.irishcentral.com/opinion/others/ireland-images-kodachrome

Thessaloniki’s Armenian minority and Jewish past are bound by a shared history of genocide

Thessaloniki’s Armenian Minority and Jewish Past: A Shared History of Genocide

The Armenian Genocide took place 110 years ago and is still often dismissed as a consequence of the First World War. Despite this, the impact of the genocide continues to resonate deeply within communities around the world.

Thessaloniki, formerly known as Salonica, holds a significant historical connection between its Armenian minority and Jewish population, both shaped by experiences of persecution and loss.

One poignant reminder of this shared history can be found in a document preserved in a Thessaloniki museum. This document shows the papers used by individuals traveling from the city to British Mandate Palestine before World War II, highlighting the migration and survival efforts of these communities during turbulent times.

(Photo credit: Larry Luxner/JTA)

https://www.jpost.com/history/article-868448

Disruption in progress

With each passing year, come Navratri, and it’s almost mandatory for Mulund West to up its celebratory game. Its roads and lanes are plastered with even bigger banners, announcing and inviting the faithful to nine nights of festivities.

Most of these eyesores are large enough to block the view of the last surviving two- or three-storeyed residential buildings and the trees that were once common across the suburb. Many of these quaint residences were built in the bungalow-style. They had traditional facades, similar to homes in Gujarat — a fact I learnt about years later. Some had courtyards with wells in the centre. These homes boasted wooden chhajas (awnings), balustrades, long curvilinear balconies, sprawling porches with swings, and patches of green.

These precious observations were part and parcel of a game I would play as a schoolkid. My school bus would crisscross most of the heart of the suburb en route to school and back home. With no classmates living along the same route, I preferred to stare out of the window. Soon, I got fascinated with the names of the streets: Zaver Road, Rattanshi Hirji Bhojraj Road, Sevaram Lalwani Road, Dr Ambedkar Road, Goshala Road, and Walji Ladha Road.

I took it upon myself to memorise these street names. Slowly, this became a game I would play to challenge myself to remember them. It worked like a charm, and over time, I had memorised all the street names along the school bus route.

While this game helped me learn about the geography of the suburb, it also made me realise that my well-planned suburb — which builders have been declaring as the ‘Prince of Suburbs’ for a while now — was way ahead of its time, and a true-blue example of a resident-friendly, well-planned neighbourhood.

I recall boasting to friends from other suburbs that they’d never get lost here (in the pre-Google Maps era) and would somehow find their way to the railway station, thanks to the grid road network.

When I say well-planned, my research leads me to Meher Marfatia’s book, based on her column *Once Upon a City* in Sunday Mid-day. Here, streets — including the ones I mentioned earlier — run at right angles to each other from the railway station all the way to Panch Rasta junction.

This was the vision of Jhaverbhai Shah, a zamindar who owned acres of land in this area. In 1922, he commissioned the architectural firm Crown & Carter to design this suburb. Their foresight gave us a brilliant example of inspired street planning.

Its proximity to the boundary of the Sanjay Gandhi National Park is a boon, with its verdant green cover spilling across the entire suburb. To this day, temperatures here are a couple of degrees lower than in the rest of the city and its suburbs.

But change is in the air. Actually, it has been for a while now.

What those festive banners also veil are the stumps of countless hacked trees and destroyed footpaths, often victims of greedy builders and developers who have taken over the streetscape of the suburb at a shockingly rapid pace.

During the lockdown, I witnessed a substantial amount of green cover disappear, as well as the fadeout of residential buildings from the 1930s, 40s, and 50s. Many of those buildings lined the route of my school bus ride. Today, they are gone, replaced by glass and marble monstrosities.

These new constructions block sunlight from reaching the ground; pavements are now ramps for expensive cars to move out of driveways, and trees have been mindlessly chopped, even if their branches brush past the prison-wall-like boundaries of these towers.

It’s a sad sight each time I walk past these streets.

The irony is not lost on me when I notice how many of these new suburban disruptors have christened their upscale residences with names alluding to tree species and green views.

As I write this column, I dread that another JCB or two is heading Mulund-ward to set up yet another housing project. I can also expect many advertisements this festive season, wooing more people to move into these so-called tree-lined townships.

It’s only a matter of time before the gentrification is complete — and the green cover, lost forever. The chhaja has given way to the sundeck.

*mid-day’s Features Editor Fiona Fernandez relishes the city’s sights, sounds, smells, and stones — wherever the ink and the inclination take her.*
She tweets [@bombayana](https://twitter.com/bombayana)
Send your feedback to mailbag@mid-day.com.
https://www.mid-day.com/news/opinion/article/disruption-in-progress-23595137

Peru’s Machu Picchu could lose ‘Wonder of the World’

In 2007, Peru’s Machu Picchu Inca sanctuary was designated as one of the New 7 Wonders of the World after receiving more than 100 million votes in a global competition.

Now, the New7Wonders project, which organized the vote, warns that Machu Picchu is at risk of losing its credibility as one of the wonders. This is due to issues such as overtourism, limited conservation policies, and social conflicts, among others.

The organization emphasized that the fate of Machu Picchu depends on the country’s key decision-makers. These leaders have reportedly received proposals to implement a strategic transformation plan aimed at protecting and preserving the site.

When asked if Machu Picchu could lose its spot on the list and whether a different site might take its place, New7Wonders responded that it is too soon to discuss the process, how it would work, or if it would happen at all.
https://www.mid-day.com/news/world-news/article/perus-machu-picchu-could-lose-wonder-of-the-world-tag-due-to-tourism-social-conflicts-23594920

Ethiopian snacks you’ll love

**Ethiopian Snacks You’ll Love**
*By Anujj Trehaan | Sep 19, 2025, 02:28 PM*

Ethiopian cuisine is celebrated worldwide for its rich flavors and unique ingredients. Among its many culinary treasures, snacks made from indigenous grains truly stand out. These snacks not only offer a delicious taste of Ethiopia’s heritage but also highlight the versatility of local grains such as teff, barley, millet, and sorghum. Exploring these traditional treats provides a wonderful insight into the country’s culture and culinary traditions.

### 1. Teff-Based Snacks: A Nutritional Powerhouse
Teff, an ancient grain native to Ethiopia, is a cornerstone of many traditional snacks. Packed with protein and iron, teff is a healthy and nourishing option. A popular example is *kolo*—roasted teff mixed with spices. This crunchy, nutty-flavored snack is often enjoyed during social gatherings or as a quick energy boost. Its chewy texture makes it a favorite among locals and visitors alike.

### 2. Barley Delights: A Versatile Ingredient
Barley is another important grain in Ethiopian snacking culture. Barley flour is used to make a variety of dishes, including *dabo kolo*, which are small baked barley bites seasoned with salt or spices. These bite-sized snacks are perfect for enjoying any time of day. Their mild flavor allows them to be savored on their own or paired with other dishes.

### 3. Millet Magic: A Gluten-Free Option
Millet, a gluten-free grain, features prominently in Ethiopian cooking as well. It is used to prepare *genfo*, a thick, porridge-like snack often served with honey or spicy sauces. This comforting dish is especially popular during colder months as it provides warmth and sustenance. Millet’s mild flavor makes it a versatile base for both sweet and savory toppings.

### 4. Sorghum Snacks: A Traditional Treat
Sorghum, one of Ethiopia’s oldest cultivated crops, plays a vital role in traditional cuisine. It is used to make *injera*, a sourdough flatbread eaten with almost every meal. Sorghum injera has a distinct tangy taste due to fermentation and serves a dual purpose—not only as food but also as a utensil for scooping up other dishes. This unique aspect of Ethiopian dining embodies both flavor and functionality.

Discovering these Ethiopian snacks is a delicious way to experience the country’s rich culinary heritage while enjoying nutritious and flavorful treats. Whether you’re drawn to the nutty teff-based kolo or the tangy sorghum injera, each snack offers a story rooted in tradition and culture.
https://www.newsbytesapp.com/news/lifestyle/ethiopian-snacks-you-ll-love/story

Swedish weddings: 5 traditions to know

By Anujj Trehaan | Sep 19, 2025, 02:22 PM

**Swedish Weddings: A Beautiful Blend of Tradition and Modernity**

Swedish weddings are a beautiful blend of tradition and modernity, making them unique and memorable. From centuries-old customs to contemporary touches, these ceremonies reflect Sweden’s rich cultural heritage. Whether you’re planning a wedding or simply curious about Swedish traditions, here’s a look at five fascinating practices that make Swedish weddings special. Each tradition offers insight into the values and beliefs cherished in Swedish culture.

### 1. The Bridal Crown Tradition

The bridal crown is a significant part of Swedish wedding traditions. Traditionally, brides wore crowns made of gold or silver, symbolizing purity and commitment. Today, many brides still embrace this custom by wearing floral crowns or tiaras during their ceremonies.

The crown represents the bride’s transition into marriage and is often passed down through generations as a cherished family heirloom, adding a meaningful touch to the celebration.

### 2. The Wedding Dance

A lively wedding dance is an integral part of Swedish nuptials, where guests join in traditional folk dances. These dances are not only a source of entertainment but also a way to bring everyone together, regardless of age or background.

The couple often leads the dance, symbolizing their unity and inviting everyone to celebrate their love with joy and enthusiasm.

### 3. The Cake Pull Tradition

The cake pull is a fun and interactive tradition where guests pull ribbons attached to small charms hidden inside the wedding cake. Each charm carries a different meaning, such as love, luck, or happiness.

The guest who pulls a charm gets to keep it as a token of good fortune for the future. This playful activity adds excitement to the celebration while engaging all attendees.

### 4. The Flower Girl Tradition

Having a flower girl is a common practice in Swedish weddings. Young girls walk down the aisle before the bride, scattering petals—a sweet custom symbolizing innocence and purity.

The flower girl often wears a white dress similar to the bride’s, making this tradition a charming and heartwarming part of the ceremony.

### 5. The Toast Tradition

Toasting plays an important role in Swedish wedding receptions. Guests raise glasses filled with sparkling cider or non-alcoholic beverages in honor of the couple’s future happiness.

Toasts usually begin with family members before inviting friends to share their warm wishes. This tradition encourages heartfelt expressions of love and support from everyone present at this joyous occasion.

Swedish weddings beautifully combine history, culture, and celebration, creating unforgettable memories for couples and their loved ones. Whether through timeless crowns or spirited dances, these traditions highlight the values of unity, joy, and love that make Swedish ceremonies truly special.
https://www.newsbytesapp.com/news/lifestyle/swedish-weddings-5-traditions-to-know/story