Category Archives: film

entertainment, film, sci-fi

10 Sci‑Fi Movies That Are Incredible From Start to Finish

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A sci-fi movie or TV show only qualifies that incredible threshold for me when the plot keeps translating that idea into tension you can feel, scene after scene, without drifting into lecture mode. So it’s essentially you learning excruciatingly fascinating details of what our world could be like, perhaps with some fiction.

But the best ones make you understand the rules fast, then keep twisting those rules until you’re locked in. The ten movies below do that thing where you start watching for a minute and suddenly it’s 2 a.m. because the story never loosens its grip. Some are cold and clinical, some are emotional gut punches, and a couple are straight-up nightmares. Either way, they’re airtight rides from first frame to last.

—

### 10. *Ex Machina* (2014)

The first time I watched *Ex Machina*, it felt like I was being politely invited into a trap. Caleb Smith (Domhnall Gleeson) thinks he won a dream trip, but every hallway at Nathan Bateman’s (Oscar Isaac) house-lab looks like it was designed to control him. Ava (Alicia Vikander) doesn’t need jump scares to be terrifying, because the real fear is how quickly she learns you.

The film follows a motivated IT enthusiast winning an internship with one of the greatest minds in the AI space, only to find out he’s hiding a close-to-human robot, but with much darker themes at play. What makes *Ex Machina* incredible is the way it keeps shifting who has power without announcing the shift. Nathan is charming, then suddenly cruel, and you realize the “test” isn’t just about Ava.

There’s suspense in the film, but it’s clean, and the ending hits hard because it’s logical.

—

### 9. *Gattaca* (1997)

This one grabs you with a simple, nasty idea: your future is decided by a blood sample. *Gattaca* follows Vincent Freeman (Ethan Hawke) as he tries to cheat a system built to keep him small, and the movie makes every routine detail feel high-stakes, from a staircase to a urine test.

Irene Cassini (Uma Thurman) adds that soft tension of romance when nobody can truly be honest. The reason *Gattaca* is an incredible addition to this list is that it never loses the human thread. Jerome Morrow (Jude Law) is the quiet heartbreak, because the perfect person is also trapped.

Director Andrew Niccol keeps the world sleek but suffocating. When I watched it for the first time, I left it feeling weirdly energized. It builds to a clean catharsis.

—

### 8. *Minority Report* (2002)

*Minority Report* drops you into PreCrime like it’s normal, then immediately starts poking holes in it. Basically, John Anderton (Tom Cruise) believes in the system until the system points at him, and that pivot turns the film into a sprint you can’t step away from.

You know a movie’s locked in when the chase is also a moral argument. *Minority Report* is that. Agatha (Samantha Morton) isn’t just a plot device; she’s the conscience the movie drags through chaos.

What I love about *Minority Report* is how every cool futuristic detail is also a threat. The eye-scans, the ads calling your name, the spider robots— all of it keeps tightening the vise.

The film was helmed by Steven Spielberg, who has kept the action readable even when it’s fast, and the mystery stays clear because the emotional motive never gets lost.

—

### 7. *Children of Men* (2006)

This isn’t the kind of sci-fi that comforts you. *Children of Men* feels like the world is already ending in the background, and everyone is just pretending the routine still matters.

Theo Faron (Clive Owen) starts numb, the way people get when the news has been bad for too long, and then the story drops a single hope into his lap and forces him to care again. The whole movie feels like a fragile mission, thanks to Kee’s character (Clare-Hope Ashitey).

What makes *Children of Men* incredible from start to finish is the immersion. It’s messy, loud, and intimate, like you’re walking inside the panic with them: the strangers helping, strangers betraying, hope refusing to die quietly.

The film also stars Julianne Moore as Julian, and here’s the cool bit—it is set in 2027, and many of the elements in the film have come true by 2026.

—

### 6. *Blade Runner* (1982)

Some movies don’t hook you with plot. They hook you with an atmosphere so thick you can taste it. *Blade Runner* does that and more.

It opens, and you’re already in it: rain, neon, smoke, and a future that looks tired. Rick Deckard (Harrison Ford) is less a hero than a guy doing a grim job, and the film makes that job feel morally dirty on purpose.

Rachael (Sean Young) is where the film gets personal, because one question turns into an identity crisis. The whole moody worldbuilding hits instantly.

What has kept *Blade Runner* incredible to this date is that it never stops asking what a “real” life is, even when the action picks up. Roy Batty (Rutger Hauer) is the emotional center, and his arc is why the ending lingers.

The city feels alive and predatory, and the movie’s best moments come from quiet confrontation. This soft-haunting film is directed by Ridley Scott.

—

### 5. *Arrival* (2016)

This is the rare first-contact movie where the biggest action is learning. *Arrival* follows Louise Banks (Amy Adams) as she tries to communicate with aliens from outer space who don’t think like us, and the film makes that process feel urgent.

Ian Donnelly (Jeremy Renner) brings warmth, but the tension comes from politics pressing in while the language work is still fragile.

For anyone that actually wants to watch something incredible, know that this is not loud sci-fi. The film brilliantly captures the intimate pressure that would surround us if aliens were to actually arrive in this world.

What makes *Arrival* incredible from start to finish is how the emotional reveal is also the sci-fi reveal. It’s one of the cleanest “oh. oh no” moments I’ve ever had in a theater because it re-frames everything without feeling like a trick.

Because the tone stays calm throughout the film while the stakes climb, the ending hits like acceptance, and you walk out quieter than you walked in. It’s a beautiful film through and through.

—

### 4. *Interstellar* (2014)

I don’t start *Interstellar* thinking about space. I start thinking about leaving and then coming back to see how the world has changed, and you will never be able to see your kids the way you might have expected.

Cooper (Matthew McConaughey) stepping away from Murph (Jessica Chastain) hurts because it feels like a promise you can’t keep, and the movie keeps returning to that wound.

What gives *Interstellar* an evergreen-incredible badge is that it commits to big swings without losing the thread. The set pieces aren’t just “cool,” they’re time, regret, and survival made visual.

Director Christopher Nolan makes the science feel tactile, but the real reason it sticks is that the movie keeps choosing sincerity over irony. When it ends, it doesn’t feel neat, it feels earned.

It aims big, lands hard, and that’s why the film is loved throughout the world.

—

### 3. *The Thing* (1982)

This is the kind of movie that makes you suspicious of everyone in the room.

*The Thing* drops you in Antarctica with a bunch of men who already don’t trust each other, then adds a creature that can look like anyone. R. J. MacReady (Kurt Russell) becomes the anchor because he thinks like a survivalist when paranoia is spreading like an infection.

The opening is simple, and then it just keeps tightening.

What makes *The Thing* incredible from start to finish is how it never gives you comfort. Every solution creates a new fear, and every test feels like it might fail.

The tension throughout its runtime stays brutal and the atmosphere icy, and the effects, although from 1982, still work because they’re used as punctuation, not spectacle.

The film also stars Keith David as Childs, Wilford Brimley as Dr. Blair, T. K. Carter as Nauls, and Richard Masur as Clark, among others.

—

### 2. *Alien* (1979)

Ridley Scott’s *Alien* is almost calm, which is exactly why it’s terrifying—but that’s just the first half.

The Nostromo feels like a proper working ship, and the crew bickers like real people who’ve done this job too long. Ellen Ripley (Sigourney Weaver) isn’t positioned as “the hero” at first; she’s just the one taking protocols seriously while everyone else wants to move on.

Then the horror arrives, and the movie never relaxes again. Routine turns into a nightmare.

What makes *Alien* incredible is the precision. The creature is scary, but the bigger dread is how small the humans suddenly feel inside their own ship.

Ash (Ian Holm) is the cold surprise that deepens the paranoia, and because of Scott’s iconic work on the sets, the lighting and sound are so controlled that you feel trapped with them.

—

### 1. *The Matrix* (1999)

It’s hard to explain to someone now how mind-blowing *The Matrix* felt the first time, but you can still feel the jolt in the opening minutes.

Neo (Keanu Reeves) starts as a guy with that nagging “something’s off” feeling, and the movie feeds that anxiety until it becomes a full-on awakening.

Then Morpheus (Laurence Fishburne) comes in and drags him into a new reality with total conviction. That’s the main hook for the film.

—

These ten sci-fi films master the art of tension and storytelling, making you think, feel, and stay hooked until the very end. Whether through psychological thrills, moral dilemmas, or breathtaking visuals, each movie offers an unforgettable journey into possible futures—and the humanity within them.
https://collider.com/best-sci-fi-movies-incredible/

entertainment, film, sports

Varun Dhawan’s fierce first look from Border 2 unveiled, set to release on January 23, 2026

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After the overwhelming response to the first poster of *Border 2* featuring Sunny Deol, the makers T-Series and JP Films have now revealed the highly anticipated first look of Varun Dhawan, ushering in a new generation of courage for India’s biggest patriotic film.

### Varun Dhawan’s Fierce First Look from Border 2 Unveiled

Set to release on January 23, 2026, the poster features Varun Dhawan in a powerful and intense depiction of an Indian soldier on the battlefield. Captured mid-action with a gun in hand, his look symbolizes the courage and spirit of the nation’s heroes. Dressed in full army uniform with a fierce expression, Varun’s appearance embodies the strength and emotion at the heart of *Border 2*, showcasing the actor in a striking new avatar.

This latest reveal adds a powerful new chapter to the film’s emotional legacy—one built on courage, brotherhood, and sacrifice that defined a generation and now aims to inspire the next.

With Varun Dhawan’s impactful first look, *Border 2* sets the tone for what promises to be one of the most anticipated and stirring cinematic experiences of 2026.

### Star-Studded Cast and Veteran Production Team

Directed by Anurag Singh, *Border 2* unites a stellar ensemble cast featuring Sunny Deol, Varun Dhawan, Diljit Dosanjh, Ahan Shetty, Medha Rana, Mona Singh, and Sonam Bajwa. Produced by Bhushan Kumar, JP Dutta, and Nidhi Dutta, the film is slated for release on January 23, 2026—perfectly timed to honor the Republic Day weekend with a story of bravery and patriotism.

Presented by Gulshan Kumar & T-Series, in association with J. P. Dutta’s J. P. Films, the movie is backed by a stellar production team including Bhushan Kumar, Krishan Kumar, J. P. Dutta, and Nidhi Dutta. Under the direction of Anurag Singh, *Border 2* carries forward the legacy of honoring the heroism and unyielding spirit of Indian soldiers.

### What to Expect

Promising an unforgettable cinematic experience filled with patriotism, courage, and sacrifice, *Border 2* is all set to storm into cinemas on January 23, 2026.

—

**Also Read:**
– Varun Dhawan brings back the ’90s vibes!
– Audio teaser of *Hai Jawani Toh Ishq Hona Hai* title track out now

**More Pages:**
– Border 2 Box Office Collection
– Bollywood News Live Updates
https://www.bollywoodhungama.com/news/bollywood/varun-dhawans-fierce-first-look-border-2-unveiled-set-release-january-23-2026/

cinema, culture, entertainment, film, science fiction

Review: Add ‘Bugonia’ to Yorgos Lanthimos’ resume of strange, compelling films

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Any film with the name Yorgos Lanthimos attached to it means you’re in for one strange and outrageous head trip. Depending upon your sentiments regarding the filmmaker’s, ahem, unique canon—*The Lobster*, *The Favourite*, *Poor Things*, *The Killing of a Sacred Deer*, and so on—you’ll either be super hyped or devoutly disinterested when a new film of his comes out.

*Bugonia* is a different beast, and I’d bet even the filmmaker’s staunchest detractors might find a kernel or two to savor in this latest insane and insanely brilliant concoction. It promises to be one of the wildest cinematic rides of 2025. That said, *Bugonia* does stick to the Lanthimos surreal playbook, hurling out shocks, reveling in abundant weirdness, and dousing everything in dark humor.

Surprisingly, the screenplay is written by someone else: hotshot Will Tracy (*Succession*, *The Menu*). His seamless script springboards off the 2003 Korean film *Save the Planet!*. But Lanthimos doesn’t always write his films’ screenplays. In fact, some of his best works, including *Poor Things* and *The Favourite*, were penned by others.

With *Bugonia*, the loopy twists, turns, and unexpected trap-door gotchas bind together and orbit a parable that taps into an irritated, angry zeitgeist—much like the creatively inspired and culturally relevant *One Battle After Another*.

The plot presents a focused scenario—but don’t be fooled by its simplicity. An unstable “worker bee,” so to speak, named Teddy (Jesse Plemons, getting a chance to flex his acting might) and his sidekick cousin Don (Aidan Delbis) launch their crackpot alien conspiracy theories by kidnapping Michelle (Oscar-winner and frequent Lanthimos collaborator Emma Stone, delivering another awards-caliber performance), the CEO of a pharmaceutical bioengineering company.

The two buffoons shave her head, chain her in the basement of a messy remote home, and accuse her of being an alien. The shrewd, mostly composed Michelle subjects both men to an earful of strategized corporate speak as she tries to finagle her way out of this mess. Michelle is a heartless professional who sees this as a battle of wits (herself) versus dimwits (her captors). As the days inch closer to a lunar eclipse, Teddy grows increasingly antsy.

That’s about all you should know about *Bugonia*, which morphs into something far more extraordinary than its mostly confined-space thriller trappings.

The performances are exceptional across the board, including Stavros Halkias as a cop who once babysat Teddy. The fine-tuned production values, mesmerizing cinematography (filmed in extra-defined VistaVision), wardrobe choices (Plemons’ grungy clothes and Stone’s pricey couture reveal much about their characters), and the mood-appropriate score from Jerskin Fendrix (*Poor Things*) heighten and accentuate Tracy’s screenplay.

All these excellent, exacting details coexist harmoniously to produce one of Lanthimos’s best films yet—a movie of startling ingenuity that also doubles as a humorous but pointed warning to us all.

**Details:**
Rating: 4 stars out of 4
Rated: R (bloody, violent scenes including a suicide, language)
Starring: Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias
Director: Yorgos Lanthimos
Running Time: 1 hour, 58 minutes
When & Where: Opens in select theaters Oct. 24, expands Oct. 31
https://www.mercurynews.com/2025/10/21/review-add-bugonia-to-yorgos-lanthimos-resume-of-strange-compelling-films/

controversy, culture, entertainment, film

EXCLUSIVE: Madonna’s Brutal Favorite Film Gets Ultra-Rare Cinema Showing — Despite Being Banned Worldwide and Branded ‘Still the Most Disgusting Movie Ever Made’

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**Madonna’s Favorite Movie – Long Banned Worldwide – Returns to the Big Screen for a Rare One-Night Showing**

*Published Oct. 17, 2025, 7:17 p.m. ET*

Pier Paolo Pasolini’s *Salò, or the 120 Days of Sodom*—often described by critics as “essential to see but impossible to watch”—is marking its 50th anniversary with a rare, one-night-only screening on November 11 at London’s Barbican Centre. Despite its reputation as the “sickest movie ever made,” the film continues to attract hardcore cinephiles and celebrities who are obsessed with this infamous and provocative work.

### The Film That Shook the World

Directed by Pasolini shortly before his brutal murder in 1975, *Salò* has maintained its status as cinema’s most disturbing masterpiece. Banned across Europe for decades, the film was condemned for its unflinching depiction of ritualized sexual violence, torture, and degradation.

Set during World War II in the fascist puppet state of Salò, the film is a twisted reimagining of the Marquis de Sade’s unfinished novel *The 120 Days of Sodom.* It portrays four elites who imprison and systematically violate a group of teenage boys and girls, forcing them into grotesque rituals—including the notorious banquet scene where victims are served their own feces.

The rediscovery of *Salò* in today’s world—an era preoccupied with themes of power, abuse, and voyeurism—has reignited debate about the film’s place in cinema history and whether it should have been made at all.

The Italian director was found beaten to death and run over by his own car just weeks before the film premiered. The shocking nature of both *Salò* and Pasolini’s death cemented his legend as one of Europe’s most controversial auteurs.

### “It Wasn’t Pornography – It Was a Warning”

Marco Lucantoni, one of the film’s surviving actors, speaks candidly ahead of the Barbican screening:
“Pasolini had seen fascism firsthand, and *Salò* was his way of exposing the physical and moral corruption of power. It wasn’t pornography—it was a warning. But it cost him dearly. He was playing with fire, and we all knew it.”

Another cast member, the late Paolo Bonacelli, who portrayed the sadistic Duke, recalled that behind the camera, the atmosphere was surprisingly lighthearted despite the disturbing content on screen.
“Everyone’s horrified by that scene,” he once said of the infamous ‘Circle of S—,’ “but for us, (we were eating) just chocolate and raisins.”

### From Police Raids to Academic Praise

The Barbican screening comes despite *Salò*’s long and controversial history with censorship. In 1977, a private showing in London’s Soho was raided by police, who seized the film print for being “grossly indecent.” The uncut version was only cleared for release in the UK in 2000.

Since then, *Salò* has appeared sporadically in arthouse cinemas but has largely remained unavailable on mainstream streaming platforms.

A source close to the Barbican’s film program commented:
“This isn’t a film we screen lightly. *Salò* still shocks, but that’s exactly why it remains relevant. It’s about the abuse of power, the commodification of bodies, and the way horror becomes spectacle—all themes that feel disturbingly modern.”

### Madonna’s Obsession and the Film’s Lasting Legacy

Over the years, *Salò* has garnered admiration from some of pop culture’s most provocative figures. Director John Waters famously called it “elegantly beautiful, but at the same time you can barely watch it.”

Pop icon Madonna reportedly used to show the film to potential friends, employees, and lovers as a litmus test for compatibility, famously saying:
“Watch this movie—and if you don’t like it, we can’t be friends.”

Despite its grotesque content, *Salò* has been reappraised by film scholars as a radical political statement. Lucantoni added:
“Pasolini foresaw what Italy—and the world—would become. He saw how power corrupts absolutely and how people can consume horror without flinching. That’s why it still matters, even 50 years later.”

—

*Don’t miss the exclusive one-night screening of Pasolini’s* Salò *on November 11 at the Barbican Centre, London.*
https://radaronline.com/p/madonna-favorite-banned-film-returns-cinemas-disgusting-movie/

culture, entertainment, film, irish, travel

WATCH: This short Irish film features the best parts of old Ireland

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**Songs of the Emerald Isle** (1955) — A Timeless Irish Travelogue Now Streaming Free on IFIPlayer

*Songs of the Emerald Isle*, an enchanting Irish travelogue from 1955, is now available to watch for free on the Irish Film Institute’s IFIPlayer. This short film beautifully showcases five much-loved Irish airs and ballads set against the stunning backdrop of the Irish landscape.

Featured performances include Bing Crosby singing “How Can You Buy Killarney?” (from his *St Patrick’s Day Parade* album), John Feeney’s rendition of “The Connemara Shore,” and Connie Foley’s heartfelt “Lovely Leitrim.” These evocative songs of yearning and nostalgia are brought to life with vivid imagery of Irish Travellers, fishermen, foresters, and farmers, alongside ancient monuments, lush farmlands, seascapes, and the majestic River Shannon.

In a charming scene set in Cavan, the Power Dancers and Ulster champion Marie McCluskey perform lively jigs and reels in a schoolyard, accompanied by an accordion player, capturing the vibrant spirit of traditional Irish dance.

**Filming Locations**

The film features picturesque locations including:

– Oughterard, Ashford Castle, County Mayo
– Fenagh Abbey, County Leitrim
– County Galway
– Cavan
– The River Shannon
– The western coast of Ireland

This digital copy was created from the only surviving print of the film, preserved in the IFI Irish Film Archive collection. The original 16mm print shows signs of wear and tear—such as occasional slight picture jumps and audio gaps—testaments to its popularity and frequent screenings. The Irish Film Institute hopes these minor imperfections will not detract from your enjoyment of this charming cultural gem.

—

**Watch and Explore More Irish Heritage**

The video below is published with the support of the Irish Film Institute (IFI), in partnership with IrishCentral, bringing you a taste of the remarkable IFI archive collection.

You can explore all IrishCentral articles and videos from IFI [here](#).

To watch more historic Irish footage, visit the [IFI Player](https://ifiplayer.ie), the Irish Film Institute’s virtual viewing room that provides free, instant access to Irish heritage preserved in the IFI Irish Film Archive. The collection includes documentaries, animation, adverts, amateur footage, feature films, and much more, reflecting Irish culture from the past century.

For even greater convenience, download the IFI Player apps for free on iPhone, Android, Apple TV, Amazon Fire TV, and Roku.

*Originally published in 2021 and updated in 2025.*
https://www.irishcentral.com/roots/history/irish-film-old-ireland

business, entertainment, film, gender, media

Reese Witherspoon’s impact on female-led films

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Reese Witherspoon’s production company, Hello Sunshine, has been a game-changer for female-led films.

The company focuses on telling stories from women’s perspectives, revolutionizing the industry and opening doors for more diverse and authentic narratives.

By championing female voices, Hello Sunshine continues to make a significant impact on Hollywood and beyond.
https://www.newsbytesapp.com/news/entertainment/how-reese-witherspoon-is-changing-women-s-stories/story

acting, culture, entertainment, film

5 standout Julianne Nicholson performances you can’t miss

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**5 Standout Julianne Nicholson Performances You Can’t Miss**
*By Vinita Jain | Oct 13, 2025, 10:29 AM*

Julianne Nicholson is an actor who has made a significant mark with her versatile performances across the film industry. From dramas to thrillers, she has showcased her range and proven her mettle time and again. Here, we explore five of her most memorable performances that highlight her talent and dedication to the craft. Each role offers a unique glimpse into her depth as an actor.

—

### 1. *The Love Letter* – A Romantic Drama

In *The Love Letter*, Nicholson plays a woman who stumbles upon an old love letter and becomes obsessed with its writer. The film delicately explores themes of love, loss, and nostalgia. Nicholson delivers a performance that is both poignant and powerful, skillfully navigating the emotional complexities of her character. Her portrayal beautifully balances vulnerability and strength, making this one of her most unforgettable roles.

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### 2. *August: Osage County* – A Family Saga

In the critically acclaimed *August: Osage County*, Nicholson portrays Ivy Weston, a member of a deeply dysfunctional family reunited after a tragedy. Her subtle and emotionally rich performance captures a character torn between loyalty and self-preservation. Nicholson’s nuanced take adds meaningful layers to the story, standing out as a highlight in her impressive filmography.

—

### 3. *Murder One* – A Gripping Legal Thriller

Nicholson takes on a key role in the legal thriller series *Murder One*, which follows an attorney handling high-profile cases while facing personal challenges. Her portrayal is marked by intelligence and determination as she confronts complex legal battles. Nicholson’s performance injects tension and intrigue into the series, making it essential viewing for fans of compelling courtroom dramas.

—

### 4. *Tully* – A Modern-Day Motherhood Tale

In *Tully*, Nicholson plays an important supporting role in this heartfelt story about the challenges of modern motherhood. The film examines the pressures new mothers face with both humor and honesty. Nicholson’s relatable and sincere performance captures the struggle to maintain one’s identity amid the demands of parenthood. Her authentic portrayal resonates deeply with audiences who appreciate contemporary, truthful storytelling.

—

### 5. *The Company You Keep* – An Espionage Thriller

In *The Company You Keep*, Nicholson portrays a tenacious investigative journalist uncovering long-buried secrets in this suspenseful espionage thriller. Driven by truth, her character is willing to risk everything for the story. Nicholson’s intense and compelling performance heightens the film’s suspense and intrigue, making it a must-watch for viewers who enjoy thrilling narratives packed with unexpected twists.

—

Julianne Nicholson’s diverse body of work continues to impress, showcasing her ability to fully inhabit a wide array of characters. These five standout performances are a testament to her skill, emotional depth, and unwavering commitment to storytelling. Whether in drama, thriller, or family saga, Nicholson’s work is not to be missed.
https://www.newsbytesapp.com/news/entertainment/julianne-nicholson-5-must-watch-performances/story

business, entertainment, film, japan, music

映画「オオムタアツシ－」主題歌歌うデュオMisiiNがメジャー初アルバム　「泣きながら紡いだ」メロディー

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福岡 発｜映画「オオムタアツシ－」主題歌を担当するデュオ MisiiN がメジャー初アルバムをリリース
―「泣きながら紡いだ」メロディーが響く―

2025年10月11日 16:05 更新（16:10）
記者：加茂川 雅仁

福岡県大牟田市を舞台にした映画「オオムタアツシの青春」の主題歌を歌うアーティストデュオ「MisiiN（ミシエヌ）」が、待望のメジャー初アルバム「THIS IS MisiiN」をリリースしました。

MisiiNは、練り上げたメロディーと心に響く歌詞で注目を集めており、今回のアルバムには彼らの「泣きながら紡いだ」想いが込められています。

アルバムジャケットも話題となっており、福岡の情景が色濃く映し出されたデザインが、作品の世界観を象徴しています。

【関連記事】
・陣内孝則さんの言葉にほっとしました―― 筧美和子さんが語る福岡舞台の主演映画「オオムタアツシの青春」（2025年8月30日掲載）

※本記事は有料会員限定の内容を含みます。

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[「オオムタアツシの青春」主題歌を担当する MisiiN の最新情報はこちらから]
https://www.nishinippon.co.jp/item/1410256/

art, cinema, film, history, women

Lina Wertmüller: The trailblazer who redefined women in cinema

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**Lina Wertmuller: The Trailblazer Who Redefined Women in Cinema**
*By Vinita Jain | Oct 11, 2025, 10:05 AM*

Lina Wertmuller was a trailblazing Italian filmmaker whose works left an indelible mark on the world of cinema. She was the first woman to be nominated for an Academy Award for Best Director, breaking new ground in an industry long dominated by men. Known for her bold themes and unique storytelling style, Wertmuller’s influence extended far beyond Italian cinema, impacting Hollywood and filmmakers across the globe.

### Pioneering Female Director

In 1977, Lina Wertmuller became the first woman ever nominated for an Academy Award for Best Director for her film *Seven Beauties*. This historic achievement shattered gender barriers and inspired generations of female filmmakers to pursue their dreams. Her success opened doors for more women to take on directorial roles and challenged the traditional gender norms prevalent in the filmmaking industry.

### Unique Storytelling Techniques

Wertmuller’s films are noted for their unconventional narrative structures and sharp socio-political commentary. She skillfully blended dark humor with serious themes, crafting a distinctive style that captivated audiences worldwide. Her ability to address complex issues through engaging and innovative storytelling set her apart from her contemporaries and influenced many future directors seeking fresh ways to tell their stories.

### Impact on International Cinema

Wertmuller’s influence went well beyond Italy. Her films received critical acclaim and won awards at prestigious international film festivals, earning her widespread recognition. Directors from diverse cultural backgrounds have cited her as an inspiration, underscoring her global impact on cinema and storytelling.

### A Lasting Legacy

Decades after her most celebrated works, Lina Wertmuller’s legacy continues to inspire new generations of filmmakers. Her bold approach to filmmaking and fearless storytelling remain studied in film schools worldwide as part of cinematic history courses. Through these efforts, future artists will remember and build upon the pioneering contributions of this legendary director.

Lina Wertmuller’s trailblazing journey reshaped the role of women in cinema and left an enduring imprint on the art of filmmaking globally.
https://www.newsbytesapp.com/news/entertainment/lina-wertm-ller-s-impact-on-hollywood-cinema/story

crime, entertainment, film, movies, technology

EXCLUSIVE: Karan Singh Chhabra gears up to play an army officer in Pen Movies’ Control

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**Karan Singh Chhabra to Play an Army Officer in Pen Movies’ Upcoming Film *Control***

Talk show host and actor Karan Singh Chhabra, who recently appeared as himself in the TV show *Anupama*, is all set to take on a new role. He will be seen playing an army officer in Pen Movies’ upcoming Hindi film *Control*.

Directed by Safdar Abbas and produced by Jayantilal Gada in association with Abhay Sinha and Pankaj Tiwari, *Control* is a cybercrime thriller slated to release in theatres on October 10, 2025.

Known for his versatility, Karan Singh Chhabra has once again transformed his look for this film. After going completely bald for his role in *Chatrapathi*, he will now be seen sporting a turbaned avatar in *Control*, showcasing his dedication to exploring diverse characters and appearances.

The film delves into the world of digital crime — a topic that resonates deeply in today’s technology-driven era. With its contemporary theme and intense narrative, *Control* aims to offer audiences a gripping cinematic experience.

Speaking about his role, Karan expressed his enthusiasm for portraying a disciplined yet emotionally layered army officer. He noted that the project provided him with a unique opportunity to grow as an actor.

Backed by a strong production team and a timely subject, *Control* promises to be an engaging watch when it hits theatres this October.

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https://www.bollywoodhungama.com/news/bollywood/exclusive-karan-singh-chhabra-gears-play-army-officer-pen-movies-control/