静岡・伊東市議選が告示 市長不信任意向の候補多数


title: 静岡・伊東市議選が告示 市長不信任意向の候補多数
date: 2025-10-12 11:20
category: 社会

静岡県伊東市の田久保真紀市長が自身の学歴を巡る問題で議会を解散したことに伴う市議選(定数20)が、10月12日に告示された。

今回の選挙には、前職や新人など合わせて30人が立候補を届け出ている。

10月31日に招集が決まった臨時議会では、再び田久保市長に対する不信任決議案が提出される見込みだ。

(この記事は有料会員限定です)
https://www.nishinippon.co.jp/item/1410440/

So, you think you know: Paris Fashion Week SS26 Edition

1. Matthieu Blazy’s Debut as Chanel’s Creative Director: A Modern Take on Menswear

Matthieu Blazy’s debut show for Chanel was highly anticipated, and it introduced a sharper, more measured direction for the iconic fashion house. Known previously for his precise tailoring at Bottega Veneta, Blazy focused on structure and purpose. One of the notable features of his first collection was the reinterpretation of classic menswear elements.

Oversized shirts made with Charvet, one of Paris’s oldest bespoke shirtmakers, were paired with cropped blazers and relaxed trousers. This styling gave movement and ease to Chanel’s traditional structure. Blazy removed the excess associated with nostalgia to bring attention to Coco Chanel’s original ideas about shape and structure.

His restrained color palette of ivory, dove grey, and caramel kept the focus on cut and movement. The show created a balance between masculine and feminine dressing, and the audience responded with admiration. Many said Blazy had modernized Chanel without losing its discipline or emotional core.

2. Loewe’s Spring/Summer 2026 Debut Under Jack McCollough and Lazaro Hernandez

With a new leadership shake-up at Loewe, Jack McCollough and Lazaro Hernandez took over from Jonathan Anderson, bringing a fresh and vibrant perspective. Their Spring/Summer 2026 collection was characterized by a vibrantly colored sporty and leather-focused aesthetic enriched with strong Spanish roots and playful textures.

Leather, Loewe’s main strength, appeared in soft dresses, relaxed separates, and wrap skirts that were both practical and refined. The duo added wit through towel-textured fabrics, athletic stripes, and two-tone tights, evoking sportswear and summer leisure while maintaining precision.

Fashion critics described the show as tactile and confident. This debut marked a clear new direction for Loewe — one that was modern, sensual, and joyfully self-aware.

3. Jonathan Anderson’s Approach to Christian Dior

Jonathan Anderson transitioned from Loewe to Christian Dior as creative director, facing the challenge of redefining femininity for a label renowned for its heritage. Unlike discarding the archive, Anderson chose to reshape it, blending tradition with innovation.

The iconic Bar Jacket made a return in cropped and distorted forms, featuring larger curves and sharper cuts. Oversized bows, sculpted drapes, and surreal fabrics lent a theatrical flair, while cotton shirts, cargo trousers, and lace dresses grounded the collection in everyday utility.

Critics praised Anderson’s work as a dialogue between Dior’s ateliers and modern streetwear. His debut collection demonstrated his ability to merge avant-garde design with commercial appeal. It was not about spectacle alone but about how a luxury brand can speak to contemporary audiences without losing its identity.

4. Stella McCartney Leads Sustainability at Paris Fashion Week SS26

Sustainability, craft, and material innovation were prominent themes this season, with Stella McCartney standing out for her commitment to eco-conscious fashion. Her Spring/Summer 2026 show at the École des Beaux-Arts showcased how responsibility and beauty can coexist.

The collection featured 100 percent cruelty-free materials and 98 percent sustainable fabrics, including regenerated nylon, recycled cashmere, organic cotton, and plant-based leather. Tailored jackets, crochet tops, and fluid vegan silks highlighted the blend of style and sustainability.

The show’s design, sound, and set all embraced environmental awareness, featuring biodegradable decor and nature-inspired audio. McCartney’s collaboration with biotech and textile firms underscored fashion’s potential to drive real progress. Critics called the collection optimistic and precise, affirming that ethics and elegance can truly share the runway.

5. Celebrity Appearances at Paris Fashion Week SS26

Celebrity presence remained a significant part of the spectacle, with Nicole Kidman making headlines as Chanel’s new ambassador. In her first official appearance for the brand, Kidman wore wide-leg jeans and an oversized white shirt, echoing the simplicity and restraint of Blazy’s collection.

She was seated alongside Penélope Cruz, Marion Cotillard, and Jennie from BlackPink, representing Chanel’s aim to connect its legacy with younger audiences. Kidman’s appointment signified a shift towards authenticity and understated confidence rather than pure glamour.

Reports described her as graceful and visibly moved by the creative shift underway. Within hours, images of her look spread across major fashion outlets, symbolizing how Chanel and Paris Fashion Week are redefining visibility and continuity through subtlety and elegance.
https://www.thenews.com.pk/tns/detail/1350288-so-you-think-you-know-paris-fashion-week-ss26-edition

Inside Japan’s Great Transformation: Mazda’s Five-Year Reform Plan

Inside its training center in Hiroshima, employees of all ages and departments—many meeting for the first time—are engaged in workshops exploring the company’s corporate culture, known as “food,” and what it should represent. Participants first reflect individually, then discuss in pairs, and finally present their ideas to the group—a process repeated across various themes.

The cultural reform initiative, launched in November 2023, is a cornerstone of Mazda’s five-year transformation plan. In May, the company rented a local soccer stadium to train 4,000 employees, and nearly all staff have now completed the program. The project unfolds in three phases: first, defining the desired culture through training; second, embedding it in everyday workplace behavior; and third, establishing it as a daily habit.

Mazda sees this internal evolution as essential for survival as electrification, environmental concerns, and other sweeping changes reshape the industry. “We’re not a large company by scale,” one executive noted, “so human creativity, imagination, and uniqueness are critical to generating new value. We must cultivate our organizational culture anew.”

The company’s journey is not without resistance. Some employees question whether management fully supports the changes, while others see altering executive mindsets as key to success. Yet the resolve remains strong as Mazda pushes toward a future where a new corporate culture becomes its competitive edge.

Beyond corporate reinvention, Japan is also witnessing groundbreaking research aimed at addressing the climate crisis. On August 5th, temperatures in Gunma Prefecture hit a record 41.8°C—the highest ever recorded in Japan—with the Meteorological Agency warning that above-average heat could persist through November.

As the world works to reduce CO2 emissions from vehicles and fossil fuels, a pioneering project in Tanegashima, Kagoshima Prefecture, is exploring a domestic biofuel alternative derived from sugarcane. At the center of the effort is Satoshi Obara, a special professor at the University of Tokyo, who has spent two decades developing new sugarcane varieties in collaboration with the Kyushu Okinawa Agricultural Research Center.

One such variety, named Haru no Ougi, yields 30–50% more than conventional strains and withstands the island’s frequent typhoons without bending, making it ideal for mechanical harvesting. Obara, who once worked on biofuel commercialization in the private sector, left his company to pursue this vision independently. His goal: to create a renewable, domestically produced fuel without relying on imported oil or external electricity—a bold attempt to build a sustainable energy future from Japan’s farmland.

Meanwhile, in the resort sector, Spa Resort Hawaiians—a tropical-themed leisure facility in Iwaki, Fukushima Prefecture, known for its towering 40-meter waterslide and daily Hula Girl dance shows—is fighting for survival.

Operated by local company Joban Kosan and celebrating its 60th anniversary next year, Hawaiians has faced severe financial challenges. The 2011 Great East Japan Earthquake forced a six-month closure, while the COVID-19 pandemic caused an additional three-month shutdown, leaving the company with about 28 billion yen in debt and aging facilities.

In November 2023, U.S. investment fund Fortress Investment Group, which manages over 7 trillion yen in assets and previously acquired Seibu Holdings, launched a takeover bid, acquiring more than 85% of Joban Kosan’s shares.

“Given the current financial state, it would be difficult for Hawaiians to remain competitive over the next 50 or 60 years without major change,” said Shunsuke Yamamoto, who led the acquisition. Fortress plans a sweeping overhaul of the resort, investing heavily to modernize facilities and align them with the expectations of Japanese travelers who have experienced Hawaii firsthand.

Hawaiians’ transformation is part of a broader trend of foreign investment reshaping Japan’s hospitality landscape. Large-scale resorts from the bubble era are being rebuilt from the ground up, reflecting a strategic push to redefine domestic travel experiences.

But not all of Japan’s battles involve boardrooms or laboratories—some are fought in the fields. In Tochigi Prefecture, wild boars, once rare, have proliferated in recent years, wreaking havoc on agriculture. They destroy sweet potato fields, trample rice paddies, and even roll in fields to remove parasites, knocking over crops and reducing grain quality.

Damages nationwide from wild animal incursions now total 16.4 billion yen annually. Despite these losses, Japan’s hunter population has fallen to less than half its previous size, with about 60% now over 60 years old. Local governments are struggling to respond.

Veteran hunter Kiyoshi Sekiguchi, 75, who captured 30 boars last year, says manpower is the biggest obstacle: “There’s nobody left to set traps or check them.” Municipalities offer 16,000 yen per animal, but the shortage of younger hunters—many of whom cannot leave their jobs for extended periods—remains a critical challenge.

The consequences go beyond crops. Wild animals cause traffic accidents, spread disease, and pose risks to human safety. Yet new business models are emerging to tackle the crisis.

In Chiba Prefecture, companies are making it easier for people to enter the hunting industry, including offering training for trap licenses. In Hokkaido, female entrepreneurs are launching ventures that connect hunters with consumers seeking game meat, creating a market-driven incentive for wildlife control.
https://newsonjapan.com/article/147245.php

佐賀市長選告示、現職坂井氏が届け出【立候補者名簿】

佐賀市長選告示、現職坂井氏が立候補を届け出【立候補者名簿】
2025年10月12日 11:07 更新

佐賀県佐賀市で開催される市長選が10月12日に告示されました。午前11時現在、再選を目指す無所属の現職、市長の坂井英隆氏(45歳)が立候補を届け出ています。坂井氏は自民党、立憲民主党、公明党の推薦を受けています。

立候補の届け出締め切りは午後5時までとなっており、投開票は19日に行われます。なお、無投票となるのは8年ぶりのことです。

■ 佐賀市長選立候補者(届け出順)
(候補者名簿は別途掲載予定)

(取材・文:竹中謙輔)
https://www.nishinippon.co.jp/item/1410435/

Chanel’s New Orbit

At the Grand Palais in Paris, Matthieu Blazy presented his debut collection for the House of Chanel in a show that balanced grandeur with restraint. The space, once home to Karl Lagerfeld’s elaborate sets, became a planetarium filled with glowing orbs. This setting echoed Blazy’s direction for Chanel, now entering a new era under its fourth creative director in 115 years.

Among those in attendance were stars including Nicole Kidman, the new brand ambassador, who was joined by her daughters, along with Margot Robbie, Penélope Cruz, Ayo Edebiri, Pedro Pascal, Tilda Swinton, and Julia Louis-Dreyfus.

Blazy built the collection around duality. “She decided for herself what she could be, and she could be both faces of the same coin,” he said after the show, referring to founder Coco Chanel. The collection reflected that tension between structure and sensuality, intimacy and confidence.

Texture led the narrative. Fabrics appeared almost tangible, drawing the eye to their depth and finish. Colours were rich and concentrated, with red appearing in sequinned co-ords, ruffled skirts, and sharp tweed separates. Eveningwear remained in shades of ivory, beige, and black, echoing Paris’s celebration of a century of Art Deco.

Gold wheat motifs, one of Coco Chanel’s personal symbols, featured on tweed coats and sack dresses, while knits and tweeds were dense and fringed. With tweed, some suits had low-slung wrap skirts, while others were puffed or frayed. The focus was attitude. “There are Chanel women all around the world,” Blazy said.

Accessories followed the same principle. The classic bag appeared without its chain, while new bags were introduced in the collection, including egg-shaped clutches, small top-handles, and soft carryalls in supple leather.

“There was too much beauty. The good thing with the codes of Chanel is you can reduce them. They still look like Chanel,” Blazy said.

The message was clear: Chanel’s next phase will move with the world and speak to many cultures. “Fashion should be beautiful and enjoyable,” he added.

Blazy’s Chanel honours the house’s heritage while pushing it forward. He has brought Chanel back to its core.
https://www.thenews.com.pk/tns/detail/1350285-chanels-new-orbit

Benjamin Netanyahu threatens to break the peace deal in Gaza

Tens of thousands of Palestinians headed back to the heavily destroyed northern Gaza Strip on Friday as a US-brokered ceasefire came into effect. The deal has raised hopes for an end to the Israel-Hamas war.

All the remaining hostages are set to be released within days. However, questions remain about who will govern Gaza as Israeli troops gradually pull back, and whether Hamas will disarm, as called for in US President Donald Trump’s ceasefire plan.

Prime Minister Benjamin Netanyahu, who unilaterally ended a ceasefire in March, hinted that Israel might renew its offensive if Hamas does not give up its weapons.

The latest truce, nevertheless, marks a key step toward ending a ruinous two-year war that was triggered by Hamas’ 2023 attack on Israel. The fighting has killed tens of thousands of Palestinians and displaced around 90 percent of the Gaza population of approximately 2 million people, often multiple times.

In a televised statement on Friday, Netanyahu said the next stages would see Hamas disarm and Gaza demilitarized. “If this is achieved the easy way, so be it. If not, it will be achieved the hard way. Hamas will be disarmed and Gaza will be demilitarized,” he said.

The Israeli military has stated it will continue to operate defensively from the roughly 50 percent of Gaza it still controls after pulling back to agreed-upon lines.

*This story has been sourced from a third-party syndicated feed and agencies. Mid-day accepts no responsibility or liability for the dependability, trustworthiness, reliability, or accuracy of the text. Mid-day management and mid-day.com reserve the sole right to alter, delete, or remove (without notice) the content at its absolute discretion for any reason whatsoever.*
https://www.mid-day.com/news/world-news/article/benjamin-netanyahu-threatens-to-break-the-peace-deal-in-gaza-23598304

Woman Cyclists Dies After Dragged 250 Meters, Myanmar Man Arrested

OSAKA, Oct 12 – A tragic accident occurred in Osaka’s Fukushima Ward, where a woman riding a bicycle was killed after being dragged approximately 250 meters by a truck following a collision at an intersection.

The incident took place around 9:40 a.m. on October 11, when emergency services received a call reporting that a woman was being dragged by a truck in the Noda area.

According to police reports, the 25-year-old victim was pulled along the road with her bicycle by a 10-ton truck. She was later pronounced dead at the hospital.

The driver, a 57-year-old Myanmar national, was arrested at the scene on suspicion of negligent driving causing injury. He has admitted to the allegations.

Authorities have stated that they plan to upgrade the charge to negligent driving causing death as the investigation continues.
https://newsonjapan.com/article/147249.php

Chanel’s New Orbit

At the Grand Palais in Paris, Matthieu Blazy presented his debut collection for the House of Chanel in a show that balanced grandeur with restraint. The iconic space, once home to Karl Lagerfeld’s elaborate sets, was transformed into a planetarium filled with glowing orbs. This setting echoed Blazy’s fresh direction for Chanel, now entering a new era under its fourth creative director in 115 years.

Among those attending the show were stars including Nicole Kidman, the new brand ambassador, who appeared alongside her daughters. Also present were Margot Robbie, Penélope Cruz, Ayo Edebiri, Pedro Pascal, Tilda Swinton, and Julia Louis-Dreyfus.

Blazy built the collection around the concept of duality. “She decided for herself what she could be, and she could be both faces of the same coin,” he said after the show, referring to founder Coco Chanel. The collection reflected this tension between structure and sensuality, intimacy and confidence.

Texture led the narrative throughout the pieces. Fabrics appeared almost tangible, drawing the eye with their depth and finish. Colors were rich and concentrated, with vibrant red making an appearance in sequined co-ords, ruffled skirts, and sharp tweed separates. Eveningwear stayed in elegant shades of ivory, beige, and black—colors that echoed Paris’s celebration of a century of Art Deco.

Gold wheat motifs, one of Coco Chanel’s personal symbols, were featured prominently on tweed coats and sack dresses. Knits and tweeds were dense and fringed, with some suits offering low-slung wrap skirts while others were puffed or frayed.

The focus was attitude. “There are Chanel women all around the world,” Blazy said. Accessories followed this same principle. The classic Chanel bag appeared without its signature chain, while new bags were introduced, including egg-shaped clutches, small top-handles, and soft carryalls crafted in supple leather.

“There was too much beauty. The good thing with the codes of Chanel is you can reduce them. They still look like Chanel,” Blazy explained. The message was clear: Chanel’s next phase will move with the world and resonate across many cultures. “Fashion should be beautiful and enjoyable,” he added.

Blazy’s Chanel honours the house’s rich heritage while boldly pushing it forward. With this collection, he has brought Chanel back to its core.
https://www.thenews.com.pk/tns/detail/1350285-chanels-new-orbit

[佐賀県]基山中3年生 白熱議会 町執行部と議員役に分かれ 「キングダム資料館」など議論

佐賀 教育[佐賀県]基山中3年生 白熱議会 町執行部と議員役に分かれ 「キングダム資料館」など議論

2025年10月12日 6:00 [有料会員限定記事]

記者一覧:前田 絵

基山町の中学生議会で、発言を求めて挙手をする議員役の生徒たち。

佐賀県基山町立基山中学校の3年生18人が、執行部役と議員役に分かれ、自分たちで考えた議案を審議する「中学生議会」が町役場の議場で開かれました。

生徒たちは4ヶ月かけて準備を重ね、様々な議題について議論を行いました。その中には「キングダム資料館」の設立に関する議案も含まれています。

※この記事は有料会員限定となっております。残りの全文(793文字)は会員登録後ご覧いただけます。

7日間無料トライアル:1日37円で読み放題。年払いならさらにお得です。

https://www.nishinippon.co.jp/item/1410384/

夏、42年で3週間伸び121日に 大学がデータ分析し算出、冬は変わらず

2025年10月12日 6:00
【有料会員限定記事】

日本の「夏の期間」が1982年から2023年の42年間で約3週間長くなっていたことが、三重大グループの研究で11日に明らかになりました。

一方で、「冬の期間」はほぼ変わらず、春と秋の期間が短くなることで「二季化」が進んでいることも確認されています。夏の期間は年々延びている傾向にあります。

■ 三重大の分析方法(イメージ)

(ここに分析方法のイメージ図や説明を挿入)

■ 【福岡県内14カ所のヒートマップ】
暑さの変化を可視化 〜6〜8月の平均気温〜

福岡県内14カ所で観測された6月から8月の平均気温をヒートマップで可視化しました。暑さが年々長く、厳しくなっている様子が一目でわかります。

※この記事は有料会員限定です。全文をお読みいただくには、7日間無料トライアルや月額プランのご利用が必要です。
1日あたりわずか37円で読み放題!年払いならさらにお得なプランもございます。

【関連リンク】
▶ 【福岡県内14カ所のヒートマップ】暑さどんどん長く厳しく。6~8月の平均気温を可視化(2025年9月2日掲載)

<西日本新聞meとは?>
(サービス紹介リンクや説明をここに掲載)

(クリップ機能は有料会員のみご利用いただけます)
https://www.nishinippon.co.jp/item/1410362/